Like any literary form or rule, the poetry reading raises questions regarding subjectivity and context: whose conventions are these, what do they enable, and how do they suit the projects at hand?
July, 2007. The Piazza Santa Croce in Florence, Italy. The Italian comedian Roberto Benigni takes the stage and begins to recite poetry. Pausing between cantos of Dante’s Divine Comedy, he offers observations about the poem and anecdotes from his own life. Maybe this type of event sounds simple, or
Last week, Guernica published an interview with art critic Ben Davis, which begins with Davis questioning the premise that “the central tension of the art empire is that between creativity and money.” Davis says there can obviously be tension between what sells and what an artist wants to express, but he argues that money also funds