poetry Archive
“Hyperconsciousness of the Historical Instability of Words”: An Interview with Monica Youn
Monica Youn’s poems are precise, sharp-edged and fleet-footed; they always seem to be moving in three different directions at once. She is the author of three books of poems: Blackacre, Barter, and Ignatz, and her poems have appeared in numerous journals and anthologies. A former attorney, she now teaches
The Learning Curve: Fact, Fiction, and What I’ve Learned
This ability to slip in and out and between voices has been crucial for my style of work. I’ve always been involved in multiple projects at a time, and while I typically finish translating one book before moving on to the next, there are always edits coming back from
“I was a house / I was a witch” : Muriel Leung’s “A House Fell Down on All of Us.”
“I was a house. / I was a witch” declares the middle stanza of Muriel Leung’s “A House Fell Down on All of Us” from the newest issue of DRUNKEN BOAT. This poem, in my reading, functions to present intermingling transformations that perform whatever an opposite of distillation forecloses.
“Always on the Lookout”: An Interview with Allison Joseph
The poems in Allison Joseph’s recent chapbook Mercurial are wise and clear-eyed, charting moments of tenderness and emotion in everyday life. Her work encompass a number of different themes—from personal and family history, to self-image and style—and embody formal approaches as well as conversational yet musical free verse.
What’s Left?: Poetry after disaster
What do we do after something terrible happens? Is there any way to find hope in a world gone dark?
Baltimore School Students Write in Protest and Celebration
Writers in Baltimore Schools, the creative writing organization I run for Baltimore youth, has developed a protocol for mobilizing safe spaces for writing after trauma. We were unfortunately ready when Donald Trump was elected the 45th President of the United States. On Thursday, fifteen of us gathered to write
Against Solace: Interrogation in the Work of Three Trans Poets
Lately, I have been thinking a lot about interrogating gender in poetry, and I’m especially interested in the work of three trans poets that use a wild arsenal of strategies to unsettle notions of gender and sexuality.
Notes on the State of Virginia: Journey to the Center of an American Document, Queries XVII-XVIII
Here’s a confession. When I talk about NOTES ON THE STATE OF VIRGINIA, I sometimes refer to Jefferson’s “queries” as “cantos.” Like a poetic canto, which stands or falls on the music of its syllables, Jefferson’s queries must have enough tensile strength to contain his ideas, and space to
Space: Renegotiating Rhetorical Boundaries
In the aftermath of this election, it’s undeniable this country is a contested space, and that its citizens are hungry for new language to describe its landscape and reshape its boundaries. Within contemporary poetry, many writers of color are responding to this desire by renegotiating the rhetoric of the
Lying in a Hammock
Reader, I am having a bad day. I am having a bad day, and I can’t seem to write anything worth your time, and so I have flipped through my books and settled on James Wright’s “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota.”