T.S. Eliot Archive
In the hyperbole of “apocalypse,” in the rhetorical design that anticipates a time predicted forever, a poem that meditates on the end of the world situates itself somewhere between prophecy and historical memory. An end has been ongoing—and changing—since the first mention of the end.
When I first started watching BBC's serial killer drama The Fall, I was excited to discover that the episode titles were all famous lines from Paradise Lost. But the title is also a reference to another, very different classic poem: “The Hollow Men” by T.S. Eliot.
When I was a child growing up Catholic, the Feast of the Epiphany struck me as an afterthought. December was all about the thrilling run-up of Advent, characterized by candle lighting and singing at mass and by lists for Santa and chocolate-filled calendars at home. Finally there was the
When my brother and I were kids, my parents would watch what we called “screensaver movies”: films that moved at a leisurely pace and boasted periods of little action in the traditional sense, featuring instead long, lingering shots of landscapes, interiors, characters’ expressions. We mocked and groused.
When we go to inspect female-presenting writers, the canon is too familiar: Emily Dickinson, Charlotte Bronte, Jane Austen. There’s no purpose in arguing this. What’s more interesting is uncovering forgotten women writers—women who wrote poetry with T.S. Eliot and Ezra Pound in life, or produced movies with Alfred Hitchcock.
How does a poet come to belong to a place? Who are the poets of our American places? As I travel in and around Boston I’m reminded of Henry Wadsworth Longfellow. His verses leap to mind when visiting Plymouth, the Wayside Inn in Sudbury, or the Old North Church
When I was a teenager I read T.S. Eliot and Ezra Pound obsessively. (And yet somehow managed not to have a girlfriend. Go figure.) Eliot and Pound might seem stodgy and academic to most but for me—growing up in Fresno, California—they represented a larger, better world. Ivy League schools.
Excerpts from a Secret Prophecy Joanna Klink Penguin, 2015 Poetry | $20 80 pages, 6×9 in Buy: Paperback As a stopped clock is right twice a day, so book blurbs are right a few times a year. On the back cover of Joanna Klink’s fourth book, Terrance Hayes declares,
Has a young child ever asked you to watch him run? Are you ready? he asks, and then the same intense eyes that one tries to remember a dream with. Then his arms start pumping at a speed that must seem lightning-fast to his own mind but really looks
Here’s the story of my first and only encounter with Harold Bloom. It was the first week of a new semester, my last semester of graduate school, and I was waiting in a stuffy seminar room packed with sharply dressed undergraduates. The luckiest students had secured seats around the grand