So much of modern cinema and fiction revolves around the anti-hero and the sympathetic villain. Our culture seems to need our protagonists to be damaged or troubled in some way. It’s as if in some grand pursuit of Nietzsche’s rejection of absolutes, we can only accept shades of gray.
Ever since I began writing this “Episodia” series, I’ve wanted to write about “Breaking Bad.” It’s a show I’ve loved from the moment Walter White and his pseudo-slacker ex-student Jesse Pinkman made their first batch of crystal meth in a rundown RV in the desert. When I first heard