Zadie Smith Archive
Compact Spaces and Relationships in Howards End and On Beauty
E.M. Forster’s novel is deeply concerned with compactly contained relationships, as well as the ideas and spaces that forge these connections. Zadie Smith’s modern-day retelling explores similarly contained personal relationships with a significant update: the book is set on a college campus.
Zadie Smith’s ‘The Lazy River’ and Social Media
Throughout "The Lazy River" Smith uses the second person and first person plural to create a
community on the page, not unlike the ones we flock to online. She establishes from the
beginning that we, as readers, will be a part of the narrative and complicit in the action
that ensues.
The Classism of Dental Work in Erin McGraw’s Short Story “Teeth”
There are many ways in which teeth can also set people apart. In the short story “Teeth” from the January/February issue of Kenyon Review Online, Erin McGraw explores classism and the power of wealth through the symbol of teeth.
Feel Free by Zadie Smith
Feel Free is an excellent place to find one of the best contemporary writers writing at her best.
Reading Backwards
Finally recognizing this pattern has led me to an unconventional idea: we should teach literary survey courses backwards. And those of us who are no longer in lit classes (or who have steered clear of them altogether) should read that way ourselves.
Where Zadie Smith’s “Getting In and Out” Misses the Mark
Despite Smith’s powerful and undeniable ability to employ and maneuver language the way she does, “Getting In and Out” comes up short for two very vital reasons.
In Remembrance of Brian Doyle
When the prolific author Brian Doyle passed away last month, American Letters lost not only a talented writer in Doyle, but also a waning parochial worldview.
The Weather We’re Having
The calamity of weather disaster in literature offers more overt indications of those who are vulnerable and exposed. From Shakespeare’s encroaching storms to Richard Wright’s floods, from Zora Neale Hurston’s hurricane to Haruki Murakami’s quakes, we learn that we have to keep our eyes on the skies and our
Insights into Celebrity Humanitarianism from Zadie Smith’s SWING TIME
It’s not novel for celebrities to dip their toes into humanitarian waters. Actor Danny Kaye was named the first UNICEF ambassador-at-large in 1954, a full two decades before Angelina Jolie was even born. The trope of the well-meaning but clueless celebrity do-gooder is so entrenched that it’s become easy
Stories Strangely Told: Zadie Smith’s “The Embassy of Cambodia”
One of the ceaseless joys of narrative, however we try to contain it, is how it bursts through the walls of expectation. The drama's there too in language—its strict rules, its constant bend and flex toward newness.
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