Episodia 1.16: How to Structure Your Memoir

Author: | Categories: Uncategorized 4 Comments
Sometimes memoirists can feel as if we have very few choices about our stories. Bound by truth and memory, we can often conclude there’s not much room for our creative selves to have a say. But here’s a secret—we don’t have to pin down a narrative in the order

The Structure of Trauma

Author: | Categories: Critical Essays No comments
What is interesting about trauma narratives, despite their abundance, is how writers shape them, allowing their stories to transcend the act of recounting.

The Feminism of Women’s Zen Buddhist Memoirs

Author: | Categories: Critical Essays No comments
As I’ve read more Buddhist biographies and memoirs, I’ve begun to notice how women seeking spiritual meaning have been forced to endure the added burden of their gender.

Narrative Structures of Diasporic Armenian Trauma

Author: | Categories: Critical Essays No comments
Multigenerational narratives have become a natural route for Armenian diaspora writers; whereas, the average American consumer can likely approach stories about the Holocaust or Civil War with some prior knowledge, the Armenian genocide requires more grounding, both factual and emotional.

“When You Read These Poems, They’re Yours”: An Interview With Leslie Harrison

Author: | Categories: Interviews No comments
Leslie Harrison’s poems are meditative and thoughtful, yet fleet-footed, quick to change direction. They show us a mind in motion, questing and questioning, wrestling with complex feelings and ideas.

Sonya Huber’s PAIN WOMAN TAKES YOUR KEYS

Author: | Categories: Reading No comments
On the day I wrote this post, the Columbus Dispatch ran an oversized black and white banner above the fold reading: “Start Living Pain-Free Today.” We see messages like this every day in TV commercials, ads, and across the web, don’t we? Sonya Huber, however, makes the subject of

Memoir as Weapon: On Keyshawn Johnson’s Just Give Me the Damn Ball!

Author: | Categories: Uncategorized No comments
The Sports Memoir: Choose Your Own Adventure There’s something inherently cathartic about the process of writing a literary memoir. The events within have occurred too close to the writer’s heart for the writing to be handed over to anybody else—all of the interpretation and re-imagining of events is intimate

Relationship Rescue! Courting Your Long-Lost Writing

Author: | Categories: Uncategorized 10 Comments
First, a confession: I’m lousy at prioritizing fiction writing. I let everything else in my life take precedence. I even let other writing take precedence—articles, book reviews, syllabi, comments on student work, status updates, replies to all. And yet, good things have happened to the fiction I’ve written. I

“I Wanted to Create Some New Legends for Appalachian Women”: An Interview with Amy Jo Burns

Author: | Categories: Interviews No comments
Burns’s new novel resurrects the experience of women in Appalachia rather than letting their stories be buried while their husbands’s live on.

The Many Voices of Memory in The Magical Language of Others

Author: | Categories: Critical Essays No comments
While a memoir can often feel myopic or even self-indulgent, Koh’s presents clearly the truth that is tucked between the pages of all memoirs—that all of us are pieced together by a multitude of stories told to us and that we, in turn, tell to others.