Book Reviews Archive

Flash Fiction America

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The stories come and go quick, as is the way with flash, but they also linger, creating one more mysterious, satisfying paradox for readers to hold.

Love, Community, and Honesty in Jane Wong’s Meet Me Tonight in Atlantic City

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Jane Wong’s memoir reminded me that Asian American literature could be more than stories of poverty or prestige porn. Reading it is not always comfortable—some anecdotes are sad, squeamish, and cringe-inducing, but it is an honest look at a working-class community that is too often forgotten.

The Way to Freedom in Jacqueline Crooks’s Fire Rush

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Jacqueline Crooks’s novel is a journey from underworlds to natural worlds, from the present to the past, and from secrets to finding one’s voice. Layered in are elements of history and ancestry; of longing for mothers and motherlands; of oppression and uprising; and of the historical, sociopolitical, and spiritual

Drifting Shared Memories in I Went to See My Father

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The narrative tends to drift, partly because of its emphasis on memory and partly because of the soft flow of Shin’s syntax, expertly translated by Hur.

Disaster Capitalism in Birnam Wood

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No generation is immune from the Birnam Wood's ire. Idealistic millennials are frauds, Gen X-ers are technocratic looters, Boomers are oblivious resource hoarders. Yet it’s not just the premise that everyone is fatally flawed that generates such intense and oppressive pessimism; rather, it’s that everyone in the novel is

Endless Grief in Gerardo Sámano Córdova’s Monstrilio

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Sámano Córdova asks readers to imagine cheating death even for a little bit, even if we know it will all go wrong, even if we know the second grief can only be worse.

Knowing and Not Knowing in Italo Calvino’s The Written World and the Unwritten World

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A new collection of Italo Calvino’s nonfiction provides the reader with a deep sense of the range of Calvino’s interests and his open-minded approach to what constitutes art, as well as the pleasure it incites in him.

The Depth of Memory in Nona Fernández’s Voyager

The essays in Fernández’s collection weave from the personal to the profound, from the historical to the mystical, from the scientific to the spiritual. The book has one fundamental message: to hold the past is what makes us human.

Constant Contradictions in Nazlı Koca’s The Applicant

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With its clipped, direct sentences and its abundance of resonant questions, long and short, Koca’s prose mirrors this narrative doubleness—giving readers an experience that is both irresistibly consumable yet compellingly durable.

Throwing Bodies in Mariana Enríquez’s Our Share of Night

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Mariana Enríquez moves past a superficial top layer of social commentary as quickly as possible to embroil the reader in the true horror at the core of her epic: the responsibility foisted upon those who inherit the history to watch the horrible truth slowly come to light.