Critical Essays Archive
Patricia Engel’s new novel demonstrates the importance of taking back your narrative, of learning and documenting your own story for no one but yourself.
Ling Ma’s 2018 novel is a story about what it means to make a life when one has been removed—whether willingly or by force—from one’s familiar surroundings, and the faith and perseverance required in order to call a new place home.
Three recent books by poets Valzhyna Mort, Eduardo C. Corral, and Claudia Rankine examine state violence by using violence’s signatures––repetition and accretion––as tools within the text. In these works, post-Chernobyl Belarus, barren American border landscapes, and the minefields of everyday social interactions are scrutinized, again and again.
Sayaka Murata’s latest novel to be translated into English explores the way individuals try to move through a world that, ultimately, doesn’t make sense.
Elizabeth Miki Brina traces the stories of her mother and father and delves into the relationships between their homes to examine her inheritances and figure out how they’ve manifested within her.
To take the long view of history is to find company with our ancestors. In Véronique Tadjo’s 2017 novel, available today in English, it is “Baobab, the first tree, the everlasting tree, the totem tree” that sees humanity from this perspective.
Ross Gay’s book-length poem suggests that within the horror show of objectified Black pain and the not-finished history of stolen Black bodies, the answer is a community that holds each other with care and beholds in Black lives not just suffering but life, dignity, complexity—and joy.
Evan S. Connell’s 1959 novel is composed of 117 neat vignettes that function in several ways: as a social critique of the era’s lust for conformity, as an aesthetic choice representing the psychology of his protagonist, and as an attempt to explicate time's relationship to a forward-looking, consumptive lifestyle.
Patricia Lockwood’s first novel, out today, is unnervingly not hyperbolic in its lyric, humorous rendering of our social media obsessed world.
If you have ever broken up with someone or been broken up with, you have likely experienced that unique quality of love: its archive. Laurie Colwin’s 1986 collection describes this lonely archive, its characters turning their love over in an occasion of happiness and sadness alike.