In her debut novel, Marguerite Duras builds a visceral sense of foreboding through the beautiful and unnerving landscapes in the life of protagonist Maud Grant, who is both captivated by the land around her, and often swiftly shut off from it.
Karen Tucker’s new novel vividly captures the opioid epidemic that has exploded across the nation, while reinforcing the humanity of people with substance use disorder and demonstrating how wrong blaming individuals for their illness is. In the end, blame will not save you from a broken heart.
There is something thrilling about a campus novel, the way its borders close around a defined perimeter and an alluring clique. Caroline Zancan’s entry to the genre, set at a premier low-residency MFA program, pushes the campus novel into such an academic, writerly realm that it takes on the
In her new collection, out this week, Elissa Washuta builds essays that repudiate traditional structures, layering her own stories on existing forms as a means to examine the traumatic, defining moments of her life.
The essays of Febos’s new essay collection read less like a coming-of-age story than they do like a manifesto of all the ways girlhood takes a toll on a girl’s life, as well as of the cultural experience of being a woman.
Patricia Lockwood’s first novel, out today, is unnervingly not hyperbolic in its lyric, humorous rendering of our social media obsessed world.
Scarlett Thomas’s most recent novel, out in the United States this week after initial publication in 2019 in the United Kingdom, is both absurdism and reality pared to its core, just as the girls in the novel pare themselves pound by pound at their no-name, British girls boarding school.
In this 2019 anthology, Natalie Eve Garrett collects short essays by 31 different writers, each with a recipe linked to it. The essays reveal how foods hold the shape of memories and people and places, nourishment intertwined with the forces that shaped it.
Yiyun Li transcends the individual through the way she focuses so singularly on the I, moments of aloneness, and solitary memories, rather than on feelings she has from shared memories. Yu Hua, too, transcends the individual, though he does so by offering his experience as a way of representing
Part myth, part bildungsroman, part queer love story with a lyric, fabulist delivery, Chang’s debut novel, out today, is a novel of the body—its mundane functions, its power to create life, the ways in which it decays—as well as what can be done to a body—by war, from domestic