The driving pulse of Zakiya Harris’s debut novel is a sharp critique of the publishing industry’s lack of diversity.
Yelena Moskovich’s novel is loose, dreamy, and symbol-packed. Characters morph and become nightmarish versions of themselves, and it is unclear if the transformation is real or only a bad dream.
Cusk's new novel is worth reading for its sharp descriptions and powerful story alone, but it’s the in-depth exploration of the purpose of art that makes the story meaningful.
Jhumpa Lahiri’s new novel beautifully showcases the way we experience life: the moments that are most important—the turning points—are often only realized in retrospect.
Caleb Azumah Nelson’s highly anticipated debut celebrates Black art and explores generational trauma.
In her debut collection, Fragoza imagines a world where patriarchy can be eradicated and finds beauty in how Chicanx women come together.
In her new novel, Nona Fernandez delves into the fluctuations of memory, highlighting the media and society’s role in what we remember.
Emma Duffy-Comparone’s debut refuses to shield the reader from unsavory elements of a story.
In his new novel, Viet Thanh Nguyen does not allow the reader to forget that fiction traffics in truth.
Complicating conventional Western perceptions of terrorism, Joseph Andras’s debut novel subverts colonial morality and interrogates a philosophical dilemma that is still very much alive in our contemporary consciousness.