Reading Archive
There is this wonderful pseudo-parable in Infinite Jest, about 150 pages in, that a State Farm claims agent, murrayf, shares through internal Interlace-System email with his friends at work.
In “Restoration” (Carve), Ann Joslin Williams shows how a widower’s memories and the discovery of a dead body conflate in the present moment, to dramatic effect.
September’s as good a month as any to return to the campus novel. Since its inception around the 1950s—at least insofar as its American iterations are concerned—there’s been something inextricably optimistic about it. It implies transformation, a metamorphosis, and there’s energy in that.
It’s hard not to notice the word girl writ large on book covers and film posters everywhere. It’s also tough to ignore the flurry of opinions on whether titular appropriation of the word is sexist and offensive or just smart marketing. Turns out the word is surprisingly flexible.
In a sense, madness (to use an archaic but attractive term) is a problem of narrative. To put it plainly: mental illness makes it difficult to know just what the heck is going on, or to what extent one’s perceptions of events can be trusted.
Reading The Blue Devils of Nada, Albert Murray’s 1996 collection of essays on jazz, the blues, and American expression, I penciled four question marks next one line.
Somewhere in West Virginia sits a ghost town that once was a heap of millionaires. Thirteen unlucky mansions haunt Bramwell: the place where, about a century ago, the women bought boatloads of Chanel No. 5.
While science fiction has long been obsessed with robots, the genre has an even longer relationship with aliens, who are often far scarier: where they came from, how they think, and what they want are questions to which there is no comforting answer, if there’s an answer at all.
Over the years, I’ve distilled people’s reactions down to a core set of misconceptions about poetry. Some of the most pervasive: Poetry is overly difficult. It’s obtuse on purpose. It’s like a riddle. You need to read between the lines. It can mean anything you want it to.
The house in Manomet was purchased in the 1950s by my husband’s paternal grandparents. It’s a sweet, small place—bare bones and un-winterized, thus uninhabitable come October. Each day during my stay, I can’t help but spend some time examining the little library.