While the objectivity of memory—and even its actual substance—is consistently brought into question in Kyoko Nakajima’s stories, what remains clear are the emotions attached to the act of remembering and the way these emotions meaningfully link individuals or objects across time.
Kikuko Tsumura’s most recent novel is a smart—and humorous—exploration into the emotional toll labor can have on individuals in a hyper-consumerist, capitalist system.
Octavia Butler and Yoko Tawada balance the pain of life in a post-apocalyptic future with stories of human resilience, offering readers some spark of hope in a future that seems hopeless.
Though published in 2020 before the advent of the pandemic and the racial unrest that marked the year, Cathy Park Hong’s collection of essays explores the complexities of Asian American identity in ways that speak to the conversations around racial identity and solidarity that continue into 2021.
Sayaka Murata’s latest novel to be translated into English explores the way individuals try to move through a world that, ultimately, doesn’t make sense.
Jessica J. Lee’s 2019 book exists in the space between environmental history, cultural history, and memoir. While readers will get a sense of Lee’s exploration of personal identity by the end of the book, they will also gain a deeper understanding of the ties between history and the natural
Natalia Ginzburg presents a family’s dysfunction as an engrossing emotional rollercoaster, yet manages to make her story both haunting and deeply human.
Yu Miri directly tackles homelessness in Japan in her 2014 novel, focusing on the memories and reflections of the ghost of a homeless migrant manual laborer, Kazu, as he wanders through the titular park, which had been his home.
The stories in Matsuda Aoko’s 2016 collection encourage us to change how we understand stories—whether that be the folktales we tell children or the larger national myths we hold on to as adults—and to see where we can break away from received narratives into new futures.
A new collection of essays, edited by Jeffrey Andrew Weinstock, offers readers a digestible and critical examination of the monstrous as a way to force us to consider the politics behind what we deem monstrous, and how a deeper understanding of what haunts us may lead to a new,