Viet Thanh Nguyen Archive
The stories in a new anthology edited by Viet Thanh Nguyen speak not only of estrangements from languages, loved ones, and countries of origin, but also of the pain of being in a new place that is not always accepting.
Viet Thanh Nguyen’s The Sympathizer re-situates history. 3 million Vietnamese died, and 58,000 American soldiers. A generation later, Nguyen has given this history an authentic voice—a voice that has been brushed aside, hidden from discourse, from textbooks, from individuals whose identities contain it.
Migration, especially for refugees, is a violent crossing. In Viet Thanh Nguyen’s story collection The Refugees and Mai Der Vang’s Afterland, the dead, and all else the living abandoned, refuse to be left behind.
Inside the craft-obsessed, time-warped fiction workshop where literary realism has reigned supreme forever, the Show-Don’t-Tell maxim serves an important function in critique.
Jacqueline Woodson, author of the National Book Award-winning Brown Girl Dreaming, said, "I think it’s so important for readers to see mirrors of themselves in books and to see that the people who wrote the books look like them, so that they can understand their own power and ability.”
From the appointment of the first African American woman to the position of Librarian of Congress, to the Long List for the 2016 First Novel Prize, here are this week’s biggest literary news stories.
Like many Gen-Xers, I don’t know as much as I should about the Vietnam War. Sure I’ve heard stories—from an uncle who cleared land mines, from a middle school teacher ravaged by Agent Orange.