Tragedy opens up aesthetic possibilities, allowing suprahuman forces to partake as literary subjects that overwhelm individual characters. It is a mode of expression that goes beyond what realistic fiction can provide.
“Roman Fever,” published by Edith Wharton in 1934 just three years before her death, is one of her short story masterpieces, and it is a story that has spawned many responses, including a modernized version by Alice Elliott Dark entitled “The Secret Spot.”
As I closed in on the first draft of a novel, I wrote toward an ending I’d held in my mind for months. It was a quiet climax in keeping with the, ahem, literary nature of my novel. I knew that when I finished the draft, I’d have
Touch is the sense common to all species. So wrote Aristotle in Historia Animalum and De Anima. And so is the premise for the art show Ann Hamilton: the common S E N S E, which I’ve been helping out with here in Seattle, and which explores the sense