From the moment he steps onscreen in director Michael Grandage’s Genius Thomas Wolfe (played by Jude Law) is an aberration. At 6’5, the writer was literally larger than life. He often worked hovering over a refrigerator-cum-writing desk.
I like to follow up my reading of a text with its cinematic counterpart. After finishing Virginia Woolf’s Mrs. Dalloway, I rented the DVD of the same name with great anticipation. But after the credits rolled, I was unsatisfied: while the cinematic version of Woolf’s novel provides a touching
One of the greatest challenges of writing a novel is choosing where to begin it. Choosing where to end it is also important (or so I’ve been told). But even once a writer makes those big decisions, the novel is fraught with similar choices at the micro level. Where
“[T]he barrier between one’s self and one’s knowledge of oneself is high indeed. There are so many things we would rather not know! — James Baldwin John Michael McDonagh’s film Calvary begins with priest Father James (played by Brendan Gleeson) preparing to hear an unseen confessor. The confessor reveals that as
The Great Gatsby. Les Misérables. Silver Linings Playbook. Sure, plenty of successful movies owe a big debt to books. “Based on the novel by…,” “Best Adapted Screenplay” and all that. But what about great films in which books get out from behind the scenes to drive plot, reveal character,