There are many hard edges here—a pervading sense of doom hovers throughout—but my favorite moments are when we get to see the softer, more interior side of these characters.
It seems as though people do not want to believe that fiction can be intimate—that is: detailed, personal, private, sacred, something with which readers feel closely acquainted or familiar. It is especially surprising if it is also broad, and that one book can accomplish both apparently astounds reviewers.
“I want to tell you what happened on the way to dinner.” Christopher Castellani‘s The Art of Perspective: Who Tells the Story begins with that simple phrase, the driving force of storytelling: the author has something they want to convey. Which quickly leads us to the issue of how
The autobiography of the imagination writes itself, one could say. It writes every time we write, every time we dream or daydream. It is its own captain’s log, the transaction and receipt. It reveals the self to make the self into a stranger, twisting the I to wring out
A while back a friend of mine contacted me with a good idea: he wanted to collect one piece of advice from a number of writers he knew and pass all of them on to his advanced undergraduate workshop students. If you’re anything like me, this is the kind