Author Archive
Inheriting Tramua in How to Not Be Afraid of Everything
Jane Wong’s new poetry collection suggests that historical trauma does not evaporate between generations—its traces leak into the bones of the children, and even of the grandchildren . . . A triumph of formal ingenuity.
Jack by Marilynne Robinson
Robinson’s novels are like glaciers. They move slowly, but they leave behind a transformed landscape. In the vast and complex landscape of American novel-writing, Marilynne Robinson’s is a unique and indispensable terrain.
Mad World, Mad Kings, Mad Composition by Lisa Fishman
Lisa Fishman’s new collection is an honest and ongoing wrestling with the vocation of poetry itself.
Obit by Victoria Chang
The emotional power of Chang’s new collection comes from the grace and honesty with which she turns this familiar form inside out to show us the private side of family, the knotting together of generations, the bewilderment of grief.
Frolic and Detour by Paul Muldoon
Like Ashbery in his final collections, or Cohen in his final albums, Paul Muldoon has nothing left to prove, and can take delight simply in doing what he inimitably does. And his delight is ours.
Review: ON WALKING ON by Cole Swensen
Imagine an anthology of the literature of walking, with examples ranging from the Middle Ages to the present. Now imagine a book containing only commentaries on these ruminations on walking, without the accompaniment of the texts that inspired them.
Review: ORBIT by Cynthia Zarin
The volume has its own points of gravity that, comet-like, it revisits as it moves forward.
Review: LUCINDA by John Beer
Remarkably, Lucinda seems both composition exercise and confession (“once again the text finds itself / helplessly stuck between two distinct / critical foci, pinioned”), as unclassifiable and as exciting as the more than 200-year-old book that inspired it.
Review: A WOMAN OF PROPERTY by Robyn Schiff
A new kind of writing about motherhood may be emerging. Rachel Zucker's and Arielle Greenberg's Home/Birth, Brenda Shaughnessy's Our Andromeda, Eula Biss's On Immunity, and Maggie Nelson's The Argonauts, for example, are conscious in a contemporary way about new possibilities of childbearing and parenting, about choices and agency, yet
Review: THE AFTER PARTY by Jane Prikryl
Jana Prikryl’s The After Party is one of those rare debut volumes, like Stevens’s Harmonium, in which we meet an already fully-inhabited voice. In some such cases, much unforeseeable development may be in store, as with Graham’s Hybrids of Plants and Ghosts; sometimes, as with Delmore Schwartz’s In Dreams