Q: First things first: how did you become an agent? A: I resisted initially, spent five years trying to find a different calling, and finally realized that being an agent was exactly what I wanted to do for the rest of my life. I worked for an agent (the
The End of the Story Liliana Heker Trans. Andrea G. Labinger Biblioasis, Spring 2012 184 pages $16.95 Type: metafiction, urgent Lens: kaleidoscopic Tones: questioning, contemplative, analytic, detached wryness
Continuing my quest to learn about interesting small presses, I had the opportunity to interview Black Ocean editors, Janaka Stucky and Carrie Adams. Black Ocean has generated a fair amount of buzz around their small press and I was curious to learn more about them and what they’re working on.
The Literary Boroughs series will explore little-known and well-known literary communities across the country and world and show that while literary culture can exist online without regard to geographic location, it also continues to thrive locally. The series will run on our blog from May 2012 until AWP13 in Boston. Please enjoy the fourth
As I said in my previous blog post about the most intriguing small presses publishing poetry, I really think small presses are publishing some of the really interesting poetry out there right now. I had the good fortune of speaking with Joshua Edwards, the editor of Canarium Books. He
I was fifteen when I decided I would make myself appreciate Emily Dickinson. One summer afternoon I sat down on my bedroom floor with a small book of Dickinson poems I’d been given as a gift and a dictionary. I’d never looked up so many words (I was not
With Easter and Passover falling early in April, Poetry Month began in full earnest later than usual here in New York City, about the middle of the month. While some continue to wait their turns in line to decry the end of poetry in these United States, the sheer
Up to the age of four, as my mother testified, I told only the truth, but after that I must have come to my senses – Marina Tsvetaeva I made an Easter quiche yesterday, and as I worked I thought about Marina Tsvetaeva, what I could tell of her
Minuet For Guitar (In Twenty-Five Shots) Vitomil Zupan, trans. Harry Leeming Dalkey Archive, December 2011 400 pages $23.95 Scope: microscopic to galactic Tones: philosophical, dark, sarcastic With: tiny flecks of the bucolic Concerning: Slovenian partisan Berk, fighting in World War II As well as: former German soldier Joseph Bitter,
Although I’m not religious, there are days when I wish I could teleport my writing students back for just a few sessions of my childhood religious-study classes. Surely, those teachers who once schooled me in old-fashioned text learning didn’t think they were training me to be a fiction writer.