Poets are grappling with their anxieties over the future of artificial intelligence; with their awe at technological innovation; with their fumbling through the knowledge that, in pockets and backpacks, one carries with them a computer’s long-term memory—infallible and encyclopedic, unlike ours.
Lately, I've been particularly intrigued by the work of Jordan Kantor. His work has prompted me to revisit how I have been formulating the Venn diagram of poetry and painting. Kantor is an artist who gets many things right.
Why is it that most American poets know very little about contemporary poetry from Britain and Ireland? A good number of them are published in Britain; they give readings at festivals in the UK and Ireland where they’re able to meet and hear the work of their British and