When I first encountered Jacob Wren and his work, it was in the mid-1990s, back when he was a Toronto poet known as Death Waits. Now, as co-artistic director of PME-ART, he exists as a constantly moving target, exploring performance through collaboration, text, and multiple other means.
William Kemp is a founding editor at Toronto-based words(on)pages, an organization that self-describes as one “that supports, promotes, and engages emerging writers in Canada through workshops, publications, a prize, and a reading series.”
From a handful of chapbooks through his first two collections, poet Marcus McCann’s work has become more confident and more willing to experiment, managing an incredibly precise linguistic and lyric gymnastics. Here, he talks about his latest collection, Shut Up Slow Down Let Go Breathe.
Robin Richardson is the author of two collections of poetry, and is Editor-in-Chief at Minola Review. Her work has appeared in Salon, Poetry Magazine, Hazlitt, Tin House, Partisan, Joyland, and The North American Review, among others. She holds an MFA in Writing from Sarah Lawrence College, and has been
Emily Izsak is one of the sharpest young poets I’ve seen in some time. She is currently in her second year of U of Toronto’s MA in English and Creative Writing program. Her work has been published in Arc Poetry Magazine, The Puritan, House Organ, Cough, The Steel Chisel,
Faizal Deen seeks to address the ways in which the cultural production of Caribbean populations in Canada—in particular, the work of poets—encourages us to rethink existing notions of diasporic identity.
Given that Toronto poet, editor, critic, novelist and librettist George Elliott Clarke is Canada’s seventh official Parliamentary Poet Laureate (2016-17), I thought it would be interesting to explore some of his experiences now that he’s a bit more than halfway through his two-year term.
Erin Wunker teaches and researches in the fields of Canadian literature and culture. She is chair of the board of Canadian Women in the Literary Arts (CWILA) and co-founder and managing editor of the feminist academic blog Hook & Eye: Fast Feminism, Slow Academe.
I originally met Rhonda Douglas back in 1992, when we took the same creative writing (poetry) workshop at the University of Ottawa, conducted by Ottawa writer Mark Frutkin.
Originally founded by Robbie MacGregor, Megan Fildes and Nic Boshart, Invisible Publishing released its first fiction titles in Spring 2007, and “has come to include works of graphic fiction and non-fiction, pop culture biographies, experimental poetry, and prose.” Formerly the managing editor at Coach House Books, Leigh Nash joined