An Interview with Jamie Ford, Author of Hotel on the Corner of Bitter and Sweet

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In this sociopolitical climate, in which Ford’s novel has remained on the New York Times best-seller list for an impressive 130 weeks, what sense can we make of the simultaneity of American compassion co-existing in a (book) world in which Ann Coulter is also a bestseller?

Dictionary Stories by Jez Burrows

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Inherent to Dictionary Stories is the question of what makes an ideal sentence that best reveals the meaning of a word.

Oceanic by Aimee Nezhukumatathil

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Invoking the “boundless” and the “limitless,” Nezhukumatathil sets out a simple, yet profound, argument about our relations with the natural world: the more we feel the ocean’s embrace, the sooner we sense its particular “hum” everywhere.

Going Home Again: Reassessing Little House in the Big Woods

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Little House in the Big Woods wasn’t just a pioneer narrative for me; it was an instruction manual, a way to look back and mark the shape of my own work. Rereading the book showed what I actually value in writing.

Hillary Clinton, The Orator, and the Body

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Magi Otsri's new book is an intoxicating exploration of women between the ages of twenty and fifty, the ways they see the world and build it with every choice they make, and the different ways in which they bleed.

Julie Maroh’s Body Music: Looking for Love in Montreal

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Last year, Julie Maroh published another graphic novel, Body Music, a series of short vignettes about people and their love stories. It takes place in Montreal, starting July 1st – the day when people usually move out or in – and spans one year, coming back full circle.

Inking Well: An Interview With Jasminne Mendez

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If you’re at all alive in the Houston arts scene, chances are you’ve crossed paths with Jasminne Mendez in one of her capacities: as a poet, as an actor, as an educator, as a podcast host, or as a community organizer and programmer (sometimes all of these things in

The Literary Text as Performance & Spectacle

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Recent years have seen a proliferation of feminist writers who are taking up questions about language, spectatorship, and the orders of power implicit in the gaze. More now than ever, poets are telling us where to look, as well as refusing, restructuring, and renegotiating the terms of the gaze.

The Female Persuasion by Meg Wolitzer

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The Female Persuasion never disappoints: there are twists and turns that keep us guessing, new voices to take on the storytelling task, and heartbreak as friends and lovers disappoint, deceive, and part ways.

The Give and Take of Literary Magazines

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The value—and power—of new independent publishing goes without saying. But new publishers, operating with virtually unlimited space to publish, also run the risk of taking more than they provide.