Imagine a strange land where tumors that resemble “terrible frogs,” a man with an “unbuttoned” face, and an ever-returning sea beast dwell, and where motherhood is a “grand opera staged in a cave.” This is The Infinitesimals by author Laura Kasischke, her ninth poetry collection (in addition to nine novels), which was published by Copper Canyon Press (July 2014). Here, illness and mortality assume anthropomorphic contours, wherein the loss of Kasischke’s mother, for instance, becomes “birds on the other side of . . . binoculars” who stare her (and us) down.
As with Space, In Chains (2011), which won the National Book Critics Circle Award, Kasischke’s latest collection, tight with her distinguishing concision and strong lyricism, continues to invent and explore new terrains. Never over-the-top with her surrealism, Kasischke aims to excavate the “infinitesimal” in this collection, which seventeenth century philosopher George Berkley, in the epigraph, defines as “the ghosts of departed quantities.” Put in another way, she challenges us to consider what we cannot see, explain, or portend. Continue reading