Monthly Archive:: May 2016
We were discussing the character of teenage girl in a fantasy novel. “I like that the girl is not what you expect,” said one writer, “You expect girls to be sweet and innocent, but she’s strong and takes action,” he said. Huh, I thought. Do we expect girls to
In the opening piece in Sara Majka’s haunting debut collection of linked stories, Cities I’ve Never Lived In, the narrator announces that she is in the middle of a divorce and about to board a train into a city. Her solution to her problems is “to move from place
From a protest over the imprisonment of an Egyptian writer to the first ever female-led crime writing festival, here are the latest literary headlines: PEN America is teaming up with writers across the globe to protest the “unjust imprisonment” of Egyptian writer Ahmed Naji. Last week, at least 120 prominent
There’s something happening with the personal in writing, and Jason Guriel’s highly circulated Walrus essay “I Don’t Care About Your Life” wants to warn us about it. “I Don’t Care About Your Life” isn’t as polemical as it sounds. For one, its title doesn’t so much reveal Guriel’s hand,
I take the five students of my poetry micro-workshop outside to discuss Claudia Emerson’s latest collection Impossible Bottle. As we sit in the sun, bending over the brilliant bright book pages, a student points to the poem “Metastasis: Web” and volunteers to read it aloud before our analysis of
It’s often said that writers must be willing to be cruel to their characters, lest the story they tell lack drama or stakes. In “The Space of Things” (The Cossack Review), Jacinta Escudas (Translated by Samantha Memi) offers a different take on the cold realities of the writer/protagonist
I’ve been stoked for a number of novels this month, but maybe none as much as Chris McCormick’s Desert Boys. It’s his first collection, a series of linked stories. His progressions are thematic. The prose is lovely, and the guy seems like an ace—but more so than the subject
Hers is a voice that I will never tire of: encouraging, kind, and so forthright about the complexities inherent in life, specifically life lived as a writer, a woman, and a resident of a place that is experiencing the unpredictable transience of time, while also rooting itself in the
Novelists, like paranoiacs, see connections where other people don’t, which is to say that both are always trying to uncover plots. Don DeLillo is a dean of both groups, so it’s fitting that his 1997 masterpiece, Underworld, is a conspiracy of people, events, and cultural touchstones (both real and
Like any writer I dream of being awarded a life-altering grant or winning the state lottery, or at the very least, the heart of some word-loving benefactor, a silver-haired sugar mama or daddy who’ll rescue me from hard labor, no strings attached, simply for the satisfaction of seeing my