Series Archive
John Gardner once wrote, “If there is good to be said, the writer should say it. If there is bad to be said, he should say it in a way that reflects the truth that, though we see the evil, we choose to continue among the living.” While
Flannery O’Connor wrote, “The longer you look at one object, the more of the world you see in it.” In her second-person flash fiction piece “How to Eat Chicken Wings,” (Tin House/The Open Bar) Kristen Arnett takes a long look at the object in her title, and what’s revealed
Over the last few years, Vice President Joe Biden has popularized the refrain, “Show me your budget, and I’ll tell you what you value.” As the title suggests, the dark, epistolary comedy “Constant Worth” by Jon Willer (Paper Darts) explores the values shown through personal economics, both in the present
As the election cycle ramps up, it becomes more and more apparent the many philosophical divisions splitting our country here in the United States. In her story “The We of Me” (The Rumpus), Lucy Jane Bledsoe takes us into a future dystopia where her characters—our descendants—are drawn to transcend
Literary Enemies: Gabriel García Márquez vs. Alejandro Zambra Disclaimer: García Márquez has no enemies but the F.B.I. A few weeks ago I went to a panel at the National Book Festival that featured Alejandro Zambra, a Chilean writer I like a lot.[1] (Yes, I started reading him because of
Bookbinder Odette Drapeau has been internationally honored for her modern and dynamic approach to what is often considered a traditional craft. To Drapeau, the book is both “a visual and tactile object where the container and content can connect to generate other visions.” While continually experimenting with new concepts
Yuval Noah Harari argues in his book Sapiens: A Brief History of Humankind that much of humankind’s success as a species is owed to its ability to create fictions. Harari focuses primarily on large-scale, societal fictions, say the nation or the corporation. In “Away” (Green Mountains Review), Karin Lin-Greenberg
Complicated bad guys are nothing new. There’s something delicious about complex entertainment; we’re able to envision ourselves in the shoes of the antihero and exact revenge or serve righteous justice, but we’re also able to vicariously live through their actions that lie outside the boundaries of acceptable behavior. When
Don’t do drugs, kids; read books instead. More often than not, they inspire the same chemical rush with less brain trauma. Herein is a list of ten books with intoxicating, stimulatory, or hallucinatory qualities for the literarily psychotropically-inclined. Though no doubt many deserving books would be right at home
What constitutes the difference between delusion and imagination? Where does one end and the other begin, or are they related at all? Colette Inez explores these intersections in her story “Stamp Fever” (The Georgia Review), from the perspective of a young boy struggling to overcome family difficulties. Our introduction to