Despite having read and enjoyed works in translation like Christos Ikonomou's Something Will Happen, You'll See and Burhan Sönmez's İstanbul, İstanbul, I know that the full range of works in translation this year alone is vast (580 books according to Three Percent's 2016 database).
I always get a little nervous when a fictional character broadcasts loudly and forcefully what he wants. It’s the definitiveness that makes me uncomfortable, because that clarity of desire kicks off an unhealthy obsession; in the end, disappointment seems inevitable.
The postmodernists are often credited with originating the idea that all the world’s a text, a constellation of signs and symbols to be read and reread unto eternity. Really, it was the Jews. Judaism is a religion obsessed with text and textuality, with making meaning through the cultivation of
The poems in Allison Joseph’s recent chapbook Mercurial are wise and clear-eyed, charting moments of tenderness and emotion in everyday life. Her work encompass a number of different themes—from personal and family history, to self-image and style—and embody formal approaches as well as conversational yet musical free verse.
From Trevor Noah’s recent memoir to a new novel from Paula Hawkins, here are this week’s biggest literary headlines: Trevor Noah, the host of The Daily Show, recently released his memoir Born a Crime: Stories from a South African Childhood. As the child of a Xhosa mother and a Swiss-German father
Much like the games they glamorize, gambling narratives are fraught with risk. They risk losing the reader in the minutiae of strategy and tactics.
In the days after the U.S. presidential election last month, people became sick. Friends, colleagues, and mere acquaintances narrated their symptoms.
I was hopeful a few weeks ago, on Halloween weekend, when I drove to Seneca Falls, New York. There, in 1848, Lucretia Mott, Elizabeth Cady Stanton, and other reformers organized the first Women’s Rights Convention...
Matthew Burnside is a writer and educator. He is currently working on a collection of science fiction stories and a series of young adult adventure novels.
Throughout her book, Chung reiterates the differences between extroverts and introverts, but eschews any claims of advantageousness. One person exults in a bar with his riotous friends while another broods in a library without anyone interrupting her. They’ll use different taps to distill pleasure from our world, but at