A friend once asked if I’d based the guinea pig (mentioned, but offstage) in my first novel on his daughter’s imaginary friend (of whom I’d never heard tell). In his defense: they had the same, unusual name. In my defense: ?!@&?#*%? Maybe people want novels to be true. Maybe
I remember my intern days well. Hell, I was an intern three times: first during college, then again after being let go from my first post-college job, and once more after making the leap into full-time freelance work. Each one of those experiences was different from the others in a
We’re happy to present the first of a new series–interviews with our guest editors, following the publication of their issues. Below is an introduction by Jessica Treadway, Emerson College professor and author of the forthcoming Lacy Eye (Grand Central, 2015), and a conversation between Editor-in-Chief Ladette Randolph and Percival Everett,
One of the best parts of being a book editor is that it gives you a magic power. You take a Microsoft Word file, wave your hand over it and say, “Now it’s a book.” And it’s a book. Up until that moment, it’s just words and ideas, and
As a creative writing instructor, I get asked two questions more than any others. The first is easy enough to answer: “How do I find time to write?” There’s no secret here—set a schedule and get to your desk. The second question, however, continues to stump me, both as a
When I was in graduate school, I was part of a writers group that consisted of a few other MFA candidates. We met at a local bar, enjoyed draft beer and happy hour appetizers, and shared our latest drafts. At the time, my stories routinely featured dead babies. Fellow
So it’s almost Halloween. Which means jack o’ lanterns and costumes and pumpkin-spiced everything. And, of course, Edgar Allan Poe, reigning king of high-school-English-textbook darkness. Cask of Amontillado, anyone?
It’s mid-October, and some of us are gearing up for NaNoWriMo, or NaNonWriMo. Some of us are just inspired by the changing seasons, and want to finally try some new thing we keep putting off. Or maybe we just want to actually read one of the books stacked on our nightstands. Unfortunately, we writers humans have
Steven Pinker is a cognitive scientist and psychologist whose work focuses on language–how it works and how it breaks down. Drawing upon his nearly forty years of research, as well as his experiences on the Usage Panel of the American Heritage Dictionary, Pinker has developed a new guide
I mostly sit at the window when I’m working at Café la Habana. I have a spot. It’s the same spot where I sat when my buddy, Santiago, first brought me for coffee when I arrived in Mexico City. But I’m attached to the spot for other reasons too.