Though it’s less travel writing and more personal memoir, Laurence Sterne’s A SENTIMENTAL JOURNEY THROUGH FRANCE AND ITALY contains one of the most authentic, challenging descriptions of why one might journey from their home in the first place.
The year was 1944. Special Operations Executive officer Patrick “Paddy” Leigh Fermor, having spent a year in Cairo, returned to the occupied island of Crete to kidnap a German general. The incident would come to be known as the Kidnap, or Abduction, of General Kreipe.
In the opening piece in Sara Majka’s haunting debut collection of linked stories, Cities I’ve Never Lived In, the narrator announces that she is in the middle of a divorce and about to board a train into a city. Her solution to her problems is “to move from place
In Havana, the collective taxis near the capitol line up on the street that juts out from the Hotel Inglaterra, around the corner from its big patio café with its striped awning and wicker chairs, across from the Parque Central, down a small alley that leads off into the
Sara Majka‘s debut story collection, Cities I’ve Never Lived In, begins with movement: “Maybe ten or eleven years ago, when I was in the middle of a divorce from a man I still loved, I took the train into the city. We were both moving often during this time,
As children, we’re both fascinated with the idea of the great big world around us, and consumed with the notion that we are at its center. I recall sleepless nights, hearing my father return home late from work, and tiptoeing past my sleeping sister’s bed to the living room
Like long handwritten letters and atlases, postcards descend from another world now deemed impractical. They belong to the world of Denis Breen in James Joyce’s Ulysses and Loyal Blood and his travels across the American West in Annie Proulx’s Postcards. Ruth, in Lorrie Moore’s story “Real Estate,” finds the
Where and when do you make time to read? If your answer is “at Chipotle,” then you can leave now. This article isn’t for you. You should also just move along if your answer is “beside a crackling fire in my study.” I don’t know who you are. Why
I stand in the middle of a Plaza. A market is in front of me. To my left, down a narrow street, is a small restaurant, Mario’s, which serves lunch until it runs out of the day’s specials. If I walk to my right, I can make my way