How to control the body is a constant theme in Washuta’s work.
In "The Interior Castle," Jean Stafford utilizes imaginary settings to display the importance of self-ownership and authority. By placing significance on the concrete and the ephemeral, writing about instances of control, and by using pain as a ballast for maintaining boundaries between the real and the imagined, Stafford actualizes
By utilizing various forms of “effluvia” in their work, Amelia Gray, Alexandra Kleeman, and Helen Oyeyemi give us greater insight into the human condition. They show us why shit matters.
In Dorothy Allison’s Bastard out of Carolina, home is both cultivated and destroyed alongside characters that hold landscape against their bodies. Home is a beating heart. It’s a branding. Like the hungry, tenacious families Allison creates, her landscapes are just as alive and wanting.