The poems in Monica Wendel’s chapbook are marked by quick dissolves, scenes suddenly opening onto new scenes. The prose poem “Blue” flickers back and forth between “a diner where the waitresses wear their hair swooped up” and a dream of rowing through New York Harbor at night.
When someone is faced with a life or death situation, principles that in quieter times appeared self-evident can become much more difficult to hold.
The cross-pollination between comics and poetry may seem unexpected, but it’s certainly a creative collaboration that has become more popular within the past decade. Evidence of the two forms meeting occurs again and again.
As is true for many grad students, the scope of my reading practice has contracted, to varying degrees, around my chosen field. Particularly when I was taking courses, film theory and criticism necessarily comprised the bulk of my reading.
A woman named Jean lives on the second floor of my apartment building. I want to like Jean; Jean waters the plants around the building and once I passed her on the avenue smiling in fringed suede, her Beatle-clipped hair ruffled by the spring day.
In a blog series for Ploughshares, I ask a poet and a non-poet the same questions. This month, I interviewed poet and theorist Fred Moten and avant-electronic producer, Elysia Crampton on history, fiction, embodiment, and the concept of equality.
In many ways, visual art gave birth to literature. The first stories written down were cave paintings. For years our alphabet was made up of pictographs which simply meant that the only people who could tell stories were those who could draw.
I was on book three of Elena Ferrante’s Neapolitan quartet when I told a friend that Lila, the book’s second protagonist, is one of the most amazing literary creations I’ve ever read. “But she’s not a creation,” my friend responded. “She’s obviously real.”
Various literary centers scattered around the country exist to advance the development and growth of writers, foster flourishing literary communities, and encourage a passion for literature. These organizations provide writing classes and workshops, host readings and other events, and help create an atmosphere where literature is read and appreciated.
Forget Haruki Murakami. Welcome to the world of Mariko Nagai and Asa Nonami. This month’s Asian lit coverage includes two Japanese short stories by Nagai and Nonami (which center on gender and death), some lit mags featuring a wealth of Asian lit—and a Japanese movie that’ll make you laugh