Hector Tobar wouldn’t be the first to speculate about a contemporary Latina/o literary renaissance. That hype has been around for a long, long while. It surrounded the work of Gen X Latina/o writers beginning to publish in the mid to late 90’s and early 2000’s of which Junot Diaz is the most notable. The same can be said about the generation that produced Helena Maria Viramontes and Sandra Cisneros.
So many latina/o writers I know have heard that word so often they scoff at it. Renaissance. A close friend, an old prof, said to me in jest once that Latina/o writing goes through a “renaissance” every twenty years or so. People bestow upon our literature that label. But who knows why? There’s probably a lot of wishful thinking in aligning Latina/o letter with the trajectory of something like the Harlem Renaissance, but probably twice as much marketing can be gleaned from that word alone: clean, prestigious, professionalized. It signals the arrival of something, the coming-of-age of something. Who doesn’t want that? More than anything, who doesn’t want to buy into that? Writer or reader.