In Erín Moure’s 2012 collection, she spreads the ashes of her mother, who was subject to the abject violence that took place during World War II, in a village near the Davydivka River in what is now present-day Ukraine. The word “tragedy” feels inadequate to describe these experiences.
In calling attention to her own unknowability, Harryette Mullen deconstructs preconceived notions about the delimited spaces of urban/rural, Black/white dichotomies, while enlarging the boundaries for Black writing, Black experience, and Black authority.
Humans derive pleasure in finding order within disorder. We seek out patterns and meaning, even when there is none to be found. P. Inman’s 1982 book, through its performance of an open and chaotic writing system, calls our attention back to how heavy this burden of meaning can become.
The difficulty of communication between writer and reader illustrates the instability and contradiction Theresa Hak Kyung Cha saw in the roles she inhabited. Cha understood herself as a series of multiple, fragmented identities, the makeup of which could not be fully or accurately articulated using the crude tools of
It is well understood by now the heavy toll that coal mining takes on geographic landscapes, their local populations, and the climate, despite practices of environmental remediation. There is also, however, another toll that mining takes—that all labor takes—on our individual bodies and lives.