Critical Essays Archive
Ling Ma and Calvin Kasulke’s novels explore the disembodiment of contemporary work culture as a grand coping mechanism, providing characters with a numbing, and even joyful, distraction from ongoing trauma.
Medieval literature’s exploration of insomnia demonstrates a grappling with what it means to live with, and accept, fear and anxiety.
Kate Zambreno’s 2020 novel explores the self that comes into being through an ongoing “dynamic contemplation” and co-creation with the surrounding world, and the idea that all that ever happens is our understanding of what happens to us, and how we filter that through our minds, mediated by our
Nancy Mairs’s 1996 essay collection has a clear, singular, and unfortunately still radical intention: to demonstrate to “readers . . . who need, for a tangle of reasons, to be told that a life commonly held to be insufferable can be full and funny.”
The difficulty of communication between writer and reader illustrates the instability and contradiction Theresa Hak Kyung Cha saw in the roles she inhabited. Cha understood herself as a series of multiple, fragmented identities, the makeup of which could not be fully or accurately articulated using the crude tools of
By taking the imperialist Cecil John Rhodes and his readers through a history of Africa and its diaspora, Adekeye Adebajo interrogates Eurocentric history and what it chooses to suppress.
Nicholson Baker’s longform essay “Lumber” is about the joy of one man doing the work of discovery and learning, and the fact that it comes from a time before the lazy chaos of the internet might be the most enjoyable thing about it.
Emily Nemens’s 2020 novel is baseball superstar and secret gambling addict Jason Goodyear’s story. The unnamed sportswriter who shepherds the reader along, however, through his positioning and control of the story’s unfurling, attempts to make the teller at least as important, if not more important, than the tale.
Sarah Manguso is obsessed with time. In her latest book, she returns to the concept, illuminating the complete lack of protection for young girls from a world that’s desperate to objectify and sexualize them as soon as possible.
Cara Blue Adams skillfully deploys the direct address in her 2021 collection. The love and loss that is examined throughout is heightened by this craft choice; the narrative arc that is created through its use underscores the narrative arc of the collection and carries the reader through the book