Reading Archive
Laura Ingalls Wilder and Samuel Worthen Ingalls: Discovering the Roots of Favorite Childhood Books in Cuba, NY
When my daughter was little, we went on a tour of Laura Ingalls Wilder sites in Wisconsin, Kansas, Minnesota, South Dakota, and Missouri. It was an endless round of log houses, sod houses, dugouts, old churches, schoolhouses, post offices, banks, jails, and depots, hand-dug wells and pump organs, replica
On the Art of Perspective: Christopher Castellani & Maggie Nelson
“I want to tell you what happened on the way to dinner.” Christopher Castellani‘s The Art of Perspective: Who Tells the Story begins with that simple phrase, the driving force of storytelling: the author has something they want to convey. Which quickly leads us to the issue of how
The Best Short Story I Read in a Lit Mag This Week: “The Dreamer” by Stephen Dixon
Sometimes in workshops, dreams are spoken of with suspicion, as often through them writers try to awkwardly smuggle in some sort of psychological truth, repressed desire, or foreshadowing of danger. In Stephen Dixon’s, “The Dreamer” (The Southern Review), dreams are the main action and the medium through which the
Writ in Water: Son of Salinas
Last month, I mentioned John Steinbeck’s famous declaration about the forgetfulness of his beloved Salinas Valley in matters of water and drought. He is fortunate that the valley has not forgotten him. The National Steinbeck Center commands one end of Main Street in downtown Salinas, and a walk through
Fifty Shades of Heathcliff: Why WUTHERING HEIGHTS Isn’t a Love Story
Wuthering Heights by Emily Brontë is often considered one of the great Victorian romances, mentioned in the same breath as classics like Pride and Prejudice and her sister Charlotte’s most famous work, Jane Eyre. But where Jane is a love story through and through, from the early meet-cute to
Listening to Baltimore
Meet your narrator: a white woman who runs a community-based literary organization for Black kids. Your setting? Baltimore. A year ago, your narrator sat around with four other writers. Three of us white, one Black, one Asian. We were trying to figure out how to talk about the events
Liber Interruptus
For years, I finished every book I started. Short collections, slim volumes of poetry, novels fat with lyricism, the latest tome from Neal Stephenson—I soldiered through them all. Then, a few years out of grad school, on my morning bus ride to work, I found myself falling asleep in
Long and Short of It
In the term short story, “short” is a little baggy. You might find, within a collection of short stories, some that are a few pages, some that are thirty or more. Compared to a five-hundred-page novel, of course, neither of these is a long piece of writing. Both are
The Best Short Story I Read in a Lit Mag This Week: “My Beard” by Eric Braun
There’s a difference between what the narrator views as the story and what the reader views as the story. By playing with that distance, writers can illuminate the deeper desires of their characters, revealed by what they choose to focus on in the telling, and what they don’t. In
Words of War: Poetry and Trauma
“All a poet can do today is warn,” Wilfred Owen wrote during World War I. If one view of poetry holds it up as something filled with beauty or romance, the truth is that poetry found its first place more in images of violence and war—think of The Odyssey,