Reading Archive
I promised you Lonesome Dove, but we’re going to start with Derek Walcott’s Omeros, because this is a family of contemporary epics. Giant, sprawling books, full of gods and families, generations and cycles, books that seem like they go on forever and seem like they should. And where
Founded in 1960 by a collective of French mathematicians and writers, Ouvroir de Littérature Potentielle (Workshop of Potential Literature), or Oulipo, was established to identify new forms of writing using numerical and alphabetical constraints. Early member Georges Perec, for example, structured his novel Life A User’s Manuel according to
A few weeks ago I wrote about the risky ending of Mary Helen Specht’s “Night Island,” and how her switching perspectives at the end turned a potentially good story into a great one. In “The Radical” (The Cincinnati Review 11.2), author Brock Clarke also take his story to
When my husband and I moved in together, one of the biggest challenges we faced was how to merge our TV-watching styles. For my husband, if the TV is on, you’re actively watching something. For me, if the TV is on, it means you’re home. (I need some kind
The lesson I look forward to most in the creative writing for new media class I teach at the University of Iowa involves me giving an unconventional lecture as a series of texts (complete with abbreviations, typos, and emoticons) projected on an overhead while I forbid speaking of any
When we speak of a story as “voice-driven,” that typically means it’s written in first person and that the narrator has attitude. Instead of quietly striving towards general objectivity, the narrator—à la Holden Caulfield—gives us a unique angle on the world that keeps our eyes fixed to the page.
Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo John Stevens Shambhala, 2007 101 pages $12.95 Buy: book | ebook In John Stevens’ half-biography/half-koan-medley Zen Bow, Zen Arrow, we visit bamboo-fenced dojos, learning from early 20th-century Japanese master Awa Kenzo how archery can be a vessel that
My childhood copy of The Secret Garden is unusually pristine for one of my books though I read it many times. Two of us must have worked hard to keep it that way; the book was my mother’s before it was mine. Next to the flowery, rabbity bookplate I
On long drives, I’ve found various ways to occupy myself. Like choreographing tap dances to “Annabel Lee,” working out how to sing the “Brady Bunch” theme song to the tune of “Ode to Joy,” and attempting to memorize Tennyson’s “Lady of Shalott,” my project as I drove from PA
Marie-Helene Bertino, in her short story, “Edna in Rain,” (Gulf Coast Winter/Spring 2015), goes to great lengths to make every aspect of her fictional world ordinary, in order that it might more clearly illuminate the absurdities of our own contemporary world. And making her fictional world ordinary is