Do-Overs: The Meursault Question
Kamel Daoud’s The Meursault Investigation is getting a lot of attention. This retelling of Camus’ classic The Stranger imagines the eyes that stare down Meursault’s gun. The unnamed Arab from the original is given a name, Musa, and a brother, Harun, who tells the family’s story in a bar.
“A Ripple Effect that Turned into a Tidal Wave”: The Journey of a Discarded Book
One day eighteen years ago, a senior colleague at the small South Carolina college where I taught found more than $300,000 worth of stripped Penguin paperbacks at a local thrift shop. Other than the piece of each cover that had been sliced off, the books were in excellent condition,
THE NEUTRAL CORNER: Michael Hofmann’s “Where Have You Been?” And Gottfried Benn’s “Impromptus”
The neutral corner is one of the two corners of the ring not used by boxers between rounds. It is also the corner a boxer must retreat to after he has floored his opponent. The Neutral Corner was also a bar in Saratoga Springs, New York, that I frequented
Ploughshares Spring 2015: An Extended Introduction by Guest Editor Neil Astley
Why is it that most American poets know very little about contemporary poetry from Britain and Ireland? A good number of them are published in Britain; they give readings at festivals in the UK and Ireland where they’re able to meet and hear the work of their British and
When We Are Given a Feast of Flesh
How do I remember spaces? Bedrooms, beaches, backseats, bazaars. The time between dreams. Night. The no-man’s land of a twelve-hour flight. I remember the world as words. I spent my last few weeks in Delhi hunting for books. For relatives, for friends, but, finally, for my own sake: to
Round-Down: Saludos to the Spanish-Speaking Reader
Those in the U.S. who speak Spanish in the home can rejoice: now, more easily than ever in this country, Spanish speakers can also find books in their lengua materna—and not just translations from English to Spanish. Real, authentic stories from all over the Spanish-speaking world are in demand
The Ploughshares Round-Down: “Not Everything We Need Is In Ourselves”
Creation is often imagined as inherently isolated and intimate: a Walden Pond-esque activity improved by seclusion and destroyed by wifi, phone calls, and . . . well, friends. So I’ve been thrilled this month to see a few books being celebrated for challenging the Lone Genius Myth: Walter Isaacson’s The Innovators, Joshua Wolf Shenk’s Powers
The Ploughshares Round-Down: Do White Male Editors Only Publish White Male Books?
For most of the nonfiction books I sell, the editors I’m selling to have a lot of objective information on hand to guess at a title’s potential success: the author’s Twitter following, other books on the same subject, other books by the same author, the popularity of magazine articles
The Ploughshares Round-Down: Is It True You Can’t Make Any Money Writing Books?
When I was making the switch last year from being an editor to being an agent, I heard from older agents that I was making a huge mistake. Advances are shrinking, they said. Midlist authors are going without contracts, and everybody is self-publishing. The whole industry is falling apart!
Story as Architecture / Architecture as Story
“Think of revision as architecture rather than interior decorating,” my teacher Sonia Pilcer used to tell her Writers’ Block class at the West Side YMCA Writer’s Voice. Narrative as architecture is a useful analogy. Does your story stand on its own? Can its doors open and close? Is it solid