While Nikki Wallschlaeger’s work resembles prose poetry more broadly, it uses spaces for its pacing, grammar, and syntax instead of punctuation. Angel Dominguez uses the form to write a series of letters, and Andrea Lawlor’s prose reads like a poetic manual for utopia.
These three poetry chapbooks address aspects of femininity, though a variety of other themes (sometimes related to femininity, other times by its side) abound in each—love, lust, heroism, art, to name a few.
The chapbook box set New-Generation African Poets, edited by Kwame Dawes and Chris Abani, is the fifth of its kind, an annual project of the African Poetry Book Fund, produced by Akashic Books. The set consists of chapbooks by poets either living in Africa or of African heritage.
This month, I read work concerning religion in one way or another, though the chapbooks here are not dominated by or entrenched in it as a theme. Instead these three writers use religion and spirituality as a lens through which readers can view many aspects of their poetry.
For National Poetry Month this year, I read three poetry chapbooks that revolve around memory. Childhood memory, historical memory, the body’s learned memory, how place or sound or smell or language or popular culture evokes memory—the chapbooks here all touch on one or more or many of these themes.
This month, I read work from both genderqueer and transgender writers. Inspired by recent tweets, blog posts, and press releases supporting works by these writers, it seemed a good opportunity to spotlight these three chapbooks.
This month, I read three award-winning chapbooks—which happen all to have been written by women.
DoubleCross Press makes gorgeous letter press chapbooks. But these aren’t just pretty faces; it’s what’s on the inside—poetry, poetics and "prose-ish" pieces—that counts. This month, I review three of them.
This month, I review three poetry chapbooks from three different women’s voices that are important, that you should read.
Genre, in a post-Dylan-won-the-Nobel world, is worth considering on a variety of levels, and often when people hear “chapbook,” they assume automatically the speaker means a short collection of poetry. Publishers, though, also print chapbooks of prose.