Writers squeeze writing in between their full-time work, even if they don’t talk about it. Journalist and TV anchor Jake Tapper did just that in writing his political thriller, which he wrote sometimes in intervals of only fifteen minutes at a time.
The tourists, travelers, and colonial police of The Sheltering Sky are mostly disaffected and unmoored Westerners who see their time in Algeria as temporary. The protagonist defines a tourist as someone who “generally hurries back home at the end of a few weeks or months.”
Although employment has been on the rise for several years, jobs that are available are often low wage or part time. And people still are losing work altogether: factory worker unemployment has been an issue for decades—especially in the Great Lakes region.
Since the year after the Columbine tragedy, 2000, a total of 113 novels have been published in English about school shootings. The number of novels published on school shootings before Columbine? One.
In this particular moment, journalists have come under fire for their presentation or concoctions of the “truth” with a capital T. They’re expected to write as objectively as possible, but writers, especially those who write historical fiction, have been known to bend facts in service of story and are
The Vietnam War has long been recognized as a turning point in the United States as a country, in which Americans lost their “innocence” with regards to politics and war.
On April 24, 2015 I was in Istanbul when the hundred-year commemorations of the start of the Armenian Genocide were taking place. A group of Armenians, Turks, and foreigners ended a walk to remember the massacre.
I chatted with Michael Reynolds about his Bookselling Without Borders program, Europa Editions’ unique mission in the field of translation publishing, and how Reynolds’ life and time abroad informs his sensibilities as an editor.
Anglophone readers owe a debt to translator and professor Dr. Karen Emmerich for her many contributions to Greek literature in translation. Currently a professor of Comparative Litearture at Princeton University, Emmerich has translated everyone from Yiannis Ritsos to Margarita Karapanou to Christos Ikonomou.
There are few more cutting words in a language you don’t speak fluently than the word foreigner. In Greek the word, xenos, bites into your skin, pins you down into the character of the other, even though at its simplest form it means to not be of the place.