Writing Archive

Concretizing the enemy

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Words have always coveted pictures for how immediately they can stir us. I think of the photograph of the South Vietnamese child who’d been sprayed by napalm. No word alive can match it. It was the photo on the cover of every magazine in 1972, which “probably did more

The Next Eleven Literary Scandals

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So it’s your New Year’s resolution to go off social media, is it? Well, good for you. You’re only going to last a month, but you’ll get some good reading and writing done. You’ll exercise. You’ll remember that you have a dog. But aren’t you worried you’ll miss all

Reading Across the Great Genre Spectrum: A Cheat Sheet for Transliterary Consumption

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When I teach creative writing at the college level, one of the tasks I always assign early on in the semester is to have my students pick out a short work outside (preferably diametrically opposed to) the student’s preferred genre, read it, and offer a brief informal presentation of

Tension mounting

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We spend our lives avoiding conflict, and then we reach academia. On the playground we’re told to make peace, but in the classroom we’re praised for our thesis statement that makes an “argument,” that introduces “tension,” that “complicates” a previous notion. Conflict becomes, all of a sudden, the engine

Dear Advice Person Lady: Advice for Writers

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Writers are neurotic. Are we more neurotic than other artists? Definitely. And it’s time we had our own advice column. A Dear Abby for our literary breakdowns. And if I have to volunteer to be that person, so be it. The letters have been pouring in—which is weird, because

“Changes of Scale by which We Measure Ourselves Anew”: the Appeal of Tiny Objects and Compact Forms

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I’m drawn to tiny things. In the Matchstick Marvels museum in Gladbrook, IA, I was captivated by a model of Hogwarts, an elaborate many-towered and turreted castle made of more than 600,000 matchsticks. At Dinky’s Diner in Reeds Spring, MO, my family used to stop for miniature hot dogs,

Discovering Milton Resnick

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Milton Resnick (1917—2004), was one of the most articulate and interesting of the abstract expressionists. I knew his work, but this past summer I discovered his personal history through a recently completed manuscript, Milton Resnick: Painter in the Age of Painting, by Geoffrey Dorfman, author of the well-received, Out

Writing the Mind: Nicole Krauss, W.G. Sebald, & Paul Harding

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How does one apply the adage show don’t tell to the interior of the mind—a vast expanse one inhabits daily, but never sees? While Pixar’s Inside Out turns the subconscious into a playful and sometimes dark adventure, literature must rely on language—pacing, syntax, and form matching function. In the early

Lying as survival: the literary pep talk

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Has a young child ever asked you to watch him run? Are you ready? he asks, and then the same intense eyes that one tries to remember a dream with. Then his arms start pumping at a speed that must seem lightning-fast to his own mind but really looks

“Sometimes she is a space” : Janice Lee’s Reconsolidation: Or, It’s the ghosts who will answer you

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Taking up the mantel of memory and elegy is no easy task, but Janice Lee’s new book Reconsolidation: Or, it’s the ghosts who will answer you embraces the ghosts. The text is not so much a reflection on writing, loss, memory, and death, but a twisted projection of those