The traditional short story’s primary building blocks depend heavily on logic. A character’s desire meets with a series of escalating obstacles until finally a climax is reached and that desire is fulfilled (or not) in a satisfying, plausible way. Melissa Goodrich’s “Anna George” (Passages North, Issue 36) flows
“There is only one of you in all time; this expression is unique. And if you block it, it will never exist through any other medium and it will be lost.”—Martha Graham Dance was my first foray into art, and I studied it for sixteen years with the kind
After meeting Gothic characters the Byronic Hero and the Mad Woman, the time has come to visit periods before Romanticism in discovering a popular character known as The Wise Fool. Origin Story: The idea of the Wise Fool is somewhat hard to trace. Unlike some other character types,
Angela Pelster is the author of Limber (Sarabande Books, 2014), for which she won the Great Lakes College Association New Writer Award. This book was first described to me as a “collection of essays about trees,” which is like saying Moby Dick is a book about a whale. Trees
Kenneth Goldsmith, writing professor at the University of Pennsylvania and self-proclaimed “uncreative” poet, came under fire two weeks ago for performing Michael Brown’s autopsy report as a found poem at a conference at Brown University—and, in the aftermath, the incident has caused artists in every genre to ask: is
The latest lit dust-up over genre involved Kazuo Ishiguro and Ursula K. Le Guin. In a review of Ishiguro’s new book The Buried Giant, Le Guin took umbrage at some remarks he made to the New York Times. “Will readers follow me into this?” went Ishiguro’s offending comment. “Will they
I admire a story the way I admire a Zippo lighter—perfectly, even simply engineered to do what is required to do, with nothing extra tacked on. I’m thinking of an unadorned lighter here, simple brushed steel, not one with a Harley Davidson logo on the side. Wick, flint, wind
I’ve grown to feel that the direct address of second person point-of-view—you—feels like a forced intimacy. There’s an insistence that isn’t necessarily requited, a desperation that meshes perfectly with the plight of the main character of Maurice Carlos Ruffin’s compelling “The Ones Who Don’t Say They Love You,” (The
My Salinger Year Joanna Rakoff 272 pages Knopf $25.95 buy: here J.D. Salinger: The Escape Artist Thomas Beller 192 Pages Icons Series, New Harvest $20 buy: here As a boy in Manhattan, Thomas Beller frequented the Museum of Natural History, struggled with his Jewish identity and didn’t apply
If you were on Twitter at all on March 4th, you were probably mildly (if not completely) aware of the public nightmare that was the HBO Access Writing Fellowship application. Full disclosure: I didn’t apply although I know many writers who did. And for those not familiar with the fellowship, it is