Fictional Writer Master Class: Fowles and the Fiction Bender
“But rather, what the devil am I going to do with you?” In John Fowles’s The French Lieutenant’s Woman, the unnamed narrator poses this question to himself about the character sleeping before him. Only he isn’t just the narrator; he’s much more than that. He’s part of
One Year In—Writing the Novel: Celeste Ng
Celeste Ng After one year of writing my novel, I took stock of what I’d accomplished—which seemed like very little. Would writing always feel like flailing? How do novelists find their way through? For guidance, I turned to published novelists, whose interviews are presented in the One Year In: Writing
Writing Lessons: Eric McDowell
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Eric McDowell, a graduate of the MFA program at the University of Michigan. —Andrew Ladd, Blog Editor How did you lose your first
Writers and Their Pets: Carol Keeley
The ‘Writers and Their Pets’ series began with my own desire to celebrate my dog Sally, and since then I have also invited other writers to share with the rest of us the details of their lives with beloved pets. Today, please enjoy this essay by Carol Keeley. —Ladette Randolph, Editor-in-Chief
My Dog Made Me A Better Writer
Two years ago next week, my dog died. I still miss him for many reasons, but what I miss the most is his companionship while I write. It’s a strange thing to sit inside all day, not even on the phone or online, simply communing with the imaginary
New (and Old) Stories (and Poems) from the Midwest
In a previous post I wrote about Midwestern literature and spent a lot of time defending the region against attack. But there certainly are folks who enjoy the flatland’s contributions to American letters. In fact, more than a few commented and tweeted about their favorites. To keep this conversation
Episodia 1.16: How to Structure Your Memoir
Sometimes memoirists can feel as if we have very few choices about our stories. Bound by truth and memory, we can often conclude there’s not much room for our creative selves to have a say. But here’s a secret—we don’t have to pin down a narrative in the order
Writing Lessons: Christine Hennessey
In our Writing Lessons series, writers and writing students will discuss lessons learned, epiphanies about craft, and the challenges of studying writing. This week, we hear from Christine Hennessey, an MFA student at the University of North Carolina Wilmington. You can follow her on Twitter @TheNewChrissy. —Andrew Ladd, Blog Editor
Dear Lois Lowry
I recently realized that the list of all the things I’ve written (a list that, weirdly for a fiction writer, somehow includes song lyrics, listicles, and sestinas), does not include a fan letter. I’ll Facebook message friends with “Hey, loved the new story!”—but I’ve never emailed a stranger, out
People of the Book: Erika Boeckeler
People of the Book is an interview series gathering those engaged with books, broadly defined. As participants answer the same set of questions, their varied responses chart an informal ethnography of the book, highlighting its rich history as a mutable medium and anticipating its potential future. This week brings the