Carys Davies’ debut novel reveals that mythologies often arise from foolish beginnings but that the elevated stories that emerge are no less valuable.
There is a pathos and also an infuriating self-indulgence to the central protagonist, Cy, obsessed with finding lost dinosaurs, rumours of which abound, in the lands beyond the Mississippi.
Claire Vaye Watkins, author of the celebrated collection Battleborn and widely acclaimed novel Gold Fame Citrus, talks with me about writing and living the West, conservation and resistance and optimism in the world of Trump, and faith in the "California experiment."
Brit Bennett talked with me about her new novel "The Mothers," and about the power of place--writing in the West through many communities--"performing California-ness," the weird excitement for wildfire season, forever building piers into the ocean, and In-N-Out burger.
In a space like this, when we talk about genre fiction, we are often talking about its limitations: its conventions, its shallowness, its easy accessibility, its (overly) familiar repetitions, its elastic distance behind the invisible but razor-wired line of the literary.
Peter Ho Davies is the author of two collections, The Ugliest House in the World and Equal Love, and the novel The Welsh Girl. His new novel, The Fortunes, is out this month.
A sight now common across California: the yellow toilet bowl. Conscientiously curated, it’s a light shade of daffodil, lemon, banana; this is early in the lifespan, the visitors before you healthy and drinking plenty of water.
This month, I chat with author Chris McCormick, whose terrific debut of linked stories, Desert Boys, follows main character Daley “Kush” Kushner and his friends Robert Karinger and Dan Watts. The book is largely set in the growing desert suburbia of the Antelope Valley, 70-odd miles north of Los
Last month, I mentioned John Steinbeck’s famous declaration about the forgetfulness of his beloved Salinas Valley in matters of water and drought. He is fortunate that the valley has not forgotten him. The National Steinbeck Center commands one end of Main Street in downtown Salinas, and a walk through
I ask about water. Water in the West, water in the desert, water that saves and water that kills. Water on a tribal reservation: water for ranches, water for livestock, water hauled hundreds of miles by truck, water for uranium mining, water for ceremonies and legends, water for drinking.