Author Archive

Cultural Legibility in America’s Dark Chapter

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What does it mean to be culturally legible? And what does cultural legibility mean with regard to writing about or from within one’s own culture?
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Can Twitter Make Trauma Generic? And If So, What Should We Do About It?

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As a writer, I've been thinking about the importance of our trauma—the needle-pushing trauma of the #MeToo movement, of the interrogation of "post-truth," of the existential crisis necessary for confronting something like climate change, or the stories beyond the body counts of the drug war in Mexico.
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Rodrigo Hasbún’s Affections: Identity in a Post-Truth Era

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It’s perhaps because of the invisible currents that inform "post-truth" that I’m finding myself reading and rereading Rodrigo Hasbún’s Affections, which is hands down my favorite book of 2017.
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Reading Baldwin after Harvey: Why Climate Change is a Social Justice Issue

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Of course, the circumstances between Hurricane Harvey and the 1943 Harlem riots are different, but the fault lines exposed by those events are not.
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Before the Storm and After, Houston Still a Poet’s City

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Houston is a poet’s city. I’d say more so than a fiction city, or a playwright’s city, or even a petroleum city for that matter (though, of course, it’s all of those things too).
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Why Culture Cops Are Bad for Writers of Color

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The biggest fear of most professional writers I know is drawing the ire of the internet. This is especially true among writers of color I know. Our literary communities are no exception to the dark allures of destructive, righteous outrage.
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You Can’t Trust Anybody in Elvira Navarro’s A Working Woman (And What That Says About Us)

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Elvira Navarro’s A Working Woman, translated by Christina MacSweeney, interrogates the psyche of characters mired by the Spanish economic crisis and the realities and lies they build around themselves in search of catharsis.
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Examining Our American Disillusion With Alberto Fuguet

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I’ve been thinking too much about reality entertainment lately. It was inevitable that I would find myself reading Alberto Fuguet’s The Movies of My Life this summer, and I’ve been wondering: how does a country cope with disillusion? Or rather, how does a person deal with its dissolution?
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Why Latinx Writers Should Decenter the Narratives That Have Been Weaponized Against Us

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Just last week, I received maybe the first piece of editorial advice that I felt compelled to flat out reject: that Latinx writers have a moral obligation to not write stories in which Latinx characters are portrayed in the context of the drug war or violence or anything else
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Editorial Argonáutica: A Tiny Interview With Efrén Ordóñez

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Editorial Argonáutica is the brainchild of Efrén Ordóñez and Marco Alcalá, both accomplished writers and translators in their own right who decided in 2015 that the world needed a publishing house that would be global in its outlook and that would celebrate the translation and promotion of writers whose
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