Over the past five years, France has witnessed, bemused, the emergence of a very special breed of master's programs—in creative writing. Today, in a country that’s supposedly one of the cradles of Western literature (or so we French love to believe), there are, all in all, three such programs.
It starts with a stroller: pink beams, brown fabric; the whole architecture collapsed into branches and leaf-rot and gritty snow. Five of the six wheels—two dual rears and a single front one—point up like the legs of a submissive dog. The sixth is snug in the dirt.
Organizations engaged in the day-to-day work of running NEA-funded literary programs are continuing to serve their communities while facing potential budget cuts.
All of my attempted love poems sound like elegies, and so I’ve given up trying to write them for my beloved, lest I give the wrong impression. Occasionally, however, one will come to me like a windfall, a speck of gold in the pan.
The composition of poetry has taken on a new life. Poetry has evolved from oral and traditional forms, to print and performance, and to our present moment where an amalgam of all forms is possible with technology. Video is a revisiting of the oral and performative traditions of poetry
Bearing witness to each other and the planet is a solemn act. If we stop and truly observe our surroundings the way Thoreau did, we might be more inclined to save our planet. If we took the time to really see one another, we might appreciate better the value
My creative writing students want to talk about the business of literature. They want to talk cover letters, agents, MFA programs, fellowships.
Visibility isn’t a vague term. You either see Latinx and Queer writers or you don’t. I don’t want to believe that literary conferences deliberately exclude writers, but I do believe that an oversight is made when a conference planning committee doesn’t try to represent every aspect of the literary
The writing that most often attracts me enacts this same unavailing need to see from the inside and outside of everything at once. Poet and playwright Darcie Dennigan’s work evinces this scale problem perfectly.
The literary community descended on Washington, DC last week for the Association of Writers & Writing Programs’ annual conference, and participants seized the opportunity to register their dissent with the current administration.