If language is engine as well as imprint of human cognition, then does its resistance to change hold us back? Or does our inability to assimilate big notions of quantum mechanics and theoretical physics prevent their naturalization, holding them open for seeing and questioning?
It’s snowing again, and the world contracts, like my heel’s screws in the cold. The sky and ground reflect one another, white-gray, and the space between the two becomes more tangible, more intimate in the precipitation’s revelation of how far it has to go.
2017 came, and I was in the market for words to live by. I needed a mantra to get me through the month of January. Miraculously, I found them four days into the new year: “We’re all special once we get to know each other.”
I found these words in
One of the most important parts of my education, both as a writer and a human being, has been studying anthropology--and in particular, learning to write ethnographically.
Being a lover of food and memoirs, I have a dream of living in a foreign country, especially in Europe, for a year and writing about its food customs.
Sharply written, these intimate and insightful exchanges dispel the myth that perhaps we all, writers or not, have come to believe about our own narratives, our own lives: “The worst story that we can tell ourselves is that we are alone.”
Randa Jarrar, the president of the Radius of Arab American Writers—whose acronym RAWI, means “storyteller” in Arabic—was a teenager in 1996 when the organization first came into being. Now a published novelist, fiction editor of The Normal School, and professor at Fresno State, Jarrar attended early RAWI conferences
Claire Vaye Watkins, author of the celebrated collection Battleborn and widely acclaimed novel Gold Fame Citrus, talks with me about writing and living the West, conservation and resistance and optimism in the world of Trump, and faith in the "California experiment."
I recently spent a long weekend collaborating with friends on a narrative outline for a point-and-click adventure video game. Relying less on twitchy button-mashing and more on logic puzzles, conversation, and critical thinking, the adventure game genre is a good project for a writer.
This ability to slip in and out and between voices has been crucial for my style of work. I’ve always been involved in multiple projects at a time, and while I typically finish translating one book before moving on to the next, there are always edits coming back from