Round-Down: The Life-Saving Genius of The Drinkable Book

maxresdefaultChemist Teri Dankovich recently created a life-saving tool in the form of a book with perforated pages that filter water. The book, simply called The Drinkable Book, “acts to both educate the user and purify their drinking water.” It is a low-cost, portable, and reliable alternative to other water purification systems and methods, and though it is not yet commercially available, it aims to be soon. Watch a video of The Drinkable Book in action here.

One copy contains twenty-five pages, and each page uses silver nanoparticles to filter up to twenty-six gallons of water. The pages also function as educational tools, drawing attention to the dangers of drinking unsafe water. An estimated 663 million live without access to improved drinking water, and with 3.4 million dying of water-related diseases every year, this new venture is capable of offering real, lasting, dramatic aid.Continue Reading

10 Inspiring Books on Women’s Lives

books by women
I never tire of learning about other women’s lives and how they were forged.  How does one construct a passionate life?  Or articulate the way one survives the throes of it?  What art can be made from mess?  My first two books circled these questions in different ways, and my reading life continues to focus on books that explore these questions.

Here is a non-fiction reading list of memoirs and biographies, if you too like a fire lit underneath your chair and inside of your pen.

1. Nora Zeale Houston’s Dust Tracks on a Road — A memoir I’m currently reading, which Maya Angelou said was written with “royal humor and imperious creativity.”  “I was always asking and making a crow of myself in a pigeon’s nest,” Houston writes of her incessant and early curiosity.  “It was hard on my family and surroundings, and they in turn were hard on me.”

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Literary Blueprints: The Monster

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Despite the simple title, the Monster is perhaps one of the most complicated, shifting characters in literature, past and present. Much of defining the Monster means defining ourselves and our views of the world. No other character relies so much on perspective to explain who (or what) the evil really is.

Origin Story: When has mankind existed without monsters? Some creature who lurks in the shadows and waits to destroy the unfortunate? In literature, the Monster propagates the earliest myths, be they Greek, Sumerian, Chinese, Aztec, or whatever—we are a people rooted in fear of the “other.” Monsters like the Cyclops in The Odyssey are not just antagonists to the Hero, they are malformed roadblocks who require physical as well as mental agility to overcome. Often the Monsters are unnatural crosses between threatening creatures, such as the Sphinx who riddles Oedipus. Some Monsters, for example the Sirens who lure Odysseus, require closer inspection to recognize their deformities. Whatever the form, Monsters represent human fear of the unknown, unnatural, and unexplained.Continue Reading

The Best Short Story I Read in a Lit Mag This Week: “Love” by Clarice Lispector

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There have been many craft essays written over the last few decades arguing the merits of the classic Joyce-ian epiphany. In “Love,” (The Offing), Clarice Lispector (translated by Katrina Dodson) explores the nature of epiphanies, and perhaps more importantly, what we do with them once they happen.

We meet the protagonist Ana as she’s returning from the grocer. We find she is well settled into domestic life, where her familial responsibilities have insulated her from the broader world. Notice how Lispector illustrates this through Ana’s inability to conceive of her former self, before being a homemaker.

“What had happened to Ana before she had a home was forever out of reach: a restless exaltation so often mistaken for unbearable happiness. In exchange she had created something at last comprehensible, an adult life. That was what she had wanted and chosen.”

Ana wants a comprehensible life; she doesn’t want mystery, she wants understanding. She doesn’t want surprises, she wants control. Or at least a part of her does. Lispector reveals that at moments during each day, that domestic tranquility is threatened.Continue Reading

Review: Out of My League by George Plimpton

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Out of My League: The Classic Hilarious Account of an Amateur’s Ordeal in Professional Baseball

George Plimpton

Lyons Press, 1961

150 pages

Buy: book

There is, surrounding George Plimpton, the same world-traveled air that surrounds the fictional beer-selling sliver of a character The Most Interesting Man in the World (TMIMITW). TMIMITW gains his fictional interesting-ness via the sheer imposing number of his travels, an original far-flung montage of adventure and sport to accompany each new commercial in an apparently eternal series. Plimpton’s interesting-ness is a bit more interesting because, well, he actually did all of the journeys that would be recounted with a laugh over a beer. The trade-off for adventuring fictitiously versus actually: while TMIMITW commands each day with magnetic suaveness, Plimpton’s most interesting moments were a carnival of mishaps, his own shoes endlessly tripped over. Which probably makes for more interesting reading anyway.

Plimpton’s personal journey into “participatory journalism” began with him sitting in Yankee Stadium, watching a ballgame and basically wondering what it would take to get on the field with real-live Major Leaguers. It feels like an impossible ask here in 2015: inevitably a small army P.R. staff would materialize from thin air to prevent today’s journalist from playing the game in front of actual paying spectators. In the late fifties, though, one could, as Plimpton did, talk to a man named Toots Shor in a New York City bar, and Toots would be able to convince a magazine editor that it would be a good idea to have Plimpton pitch before a November exhibition of All-Stars. Continue Reading

What Happened to Tagore?

Screen Shot 2015-08-26 at 11.02.51 AMYou could visit India and never hear the name Rabindranath Tagore. In fact, if you don’t live in India, you may well have never known Rabindranath Tagore existed. But this was not always the case: recipient of the Nobel Prize in Literature in 1913, Rabindranath Tagore became one of the major influences in the formation of the India we know today. All the while, he wasn’t identified as a politician, social leader, or revolutionary: he was a poet. Or, as his contemporary Gandhi noted, The Poet.

And Tagore didn’t write poetry only either: he wrote the national anthems for both India and Bengal, he composed plays, gave speeches, and, in his later life, took up painting. He frequently traveled to Europe and other parts of Asia to lecture; he met with Einstein. So why does his name no longer resonant, especially among younger Indian poets and artists?

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Reading as Intoxicant, Part I: Neurochemical Qualities of the Modern Manic Page Peeler

De Amerikaanse dichter Allen Ginsberg in 1979 in de Gentse Poëziewinkel.

De Amerikaanse dichter Allen Ginsberg in 1979 in de Gentse Poëziewinkel.

Richard Wright once wrote that reading is like a drug. Countless other authors have written some variation of that same assertion. If you’ve ever found yourself crushed in a corner weeping like a crazy person because the end of your latest literary fixation was fast coming to a close, or buying more books than you could ever read in a lifetime, or huffing the exquisite scent of a freshly bound book like that accidental splash of gasoline upon your sneaker, then maybe you’ll agree. And so would science.

ADDICTIVE QUALITIES

Like some illicit depressants, a book can be a most calming boon. The act of reading for just six minutes is enough to reduce stress levels by up to 68% or aid your nocturnal rituals. Like the most haughty of hallucinogens, vivid reading can also stimulate all kinds of interesting brain function, eliciting hypervisceral and tactile responses:

In a 2006 study published in the journal NeuroImage, researchers in Spain asked participants to read words with strong odor associations, along with neutral words, while their brains were being scanned by a functional magnetic resonance imaging (fMRI) machine. When subjects looked at the Spanish words for “perfume” and “coffee,” their primary olfactory cortex lit up; when they saw the words that mean “chair” and “key,” this region remained dark. The way the brain handles metaphors has also received extensive study; some scientists have contended that figures of speech like “a rough day” are so familiar that they are treated simply as words and no more. Last month, however, a team of researchers from Emory University reported in Brain & Language that when subjects in their laboratory read a metaphor involving texture, the sensory cortex, responsible for perceiving texture through touch, became active. Metaphors like “The singer had a velvet voice” and “He had leathery hands” roused the sensory cortex, while phrases matched for meaning, like “The singer had a pleasing voice” and “He had strong hands,” did not. (Source)

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Round-Down: Poetry? There’s an App for That

teacherAs students and teachers alike head back to school this month, the Academy of American Poets is offering an email service designed to better integrate poetry into the classroom. Based on the popular Poem-A-Day series, where a previously unpublished poem is shared via email to subscribers, Teach This Poem launches September 2 and will include interactive pedagogical tools designed for K-12 classrooms.

Even if you’re not heading back to the classroom yourself, fall is still a time for reflecting on how you learn. Since you’re here, you likely understand the importance of poetry—or perhaps like many students you yourself are wary of poetry. I recently took a course called “Teaching, Reading, and Enjoying Poetry.” Most of the students, enrolled in a graduate program, were K-12 teachers from all over the country. Most of them admitted to feeling queasy when faced with having to integrate poetry into their teaching units. I wonder how many of us encountered English teachers in our lives who felt ill-equipped to teach poetry. I wonder how many of us avoid poetry because it was a subject that used to make us feel left out or stupid, without a point of access. I wonder too how apps and email subscriptions like Teach This Poem might help infuse poetics with patience and play, rather than with a sense of duty and dread.Continue Reading

Rehabbing the Southern Way of Life: On “The World’s Largest Man”

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At a cultural moment when it seems the Southern Way of Life needs some image rehab, the timing of Harrison Scott Key’s memoir of his Mississippi childhood is impeccable. The World’s Largest Man takes on the Southern masculine ideal, violence, race and more, all under the guise of amiable family anecdote.

Comprised of humorous, highly polished essays with a loose through-line (mainly Key’s rural upbringing and his relationship with his taciturn and boulder-like father), the book can be described as at least part hunting memoir. During his childhood, young Key was regularly roused by his father in the pre-dawn hours to commence a “campaign of slaughter through the animal kingdom,” which included at one point, accidentally shooting the face off a fawn. The episode is one of many that shape the author’s ambivalent relationship with guns. “It was embarrassing that my children did not know what an actual gun looked like,” he writes late in the book, “Or was this a good thing?”Continue Reading

Deep Valley Homecoming and Laurapalooza: Keeping Classic Children’s Literature Alive

In a ballroom in Mankato, MN one June evening, a murder mystery unfolds called “Betsy and Tacy Go Downton.” Each table is supposed to cast our votes for whodunit: a character from Maud Hart Lovelace’s charming Betsy-Tacy books, which take place at the turn of the twentieth century? Or one of the “visiting cousins” from Downton Abbey? I’m sure it’s going to be someone from Downton Abbey. Betsy and her family and friends are just too nice.

I hasten to add that these favorite characters from my childhood are not, however, bland. If you haven’t heard of them, it’s your loss, though not unusual: the Betsy-Tacy Society’s slogan is “I thought I was the only one” because so many fans grew up thinking these books were our own personal discovery. And now, miraculously, a whole slew of avid fans have turned out for this dinner and play—at least 50 of us— that kick off Deep Valley Homecoming, a celebration of Lovelace’s work.

I’m spending my summer at smaller-scale children’s-literature-related versions of Comic-Con and Star Trek Conventions—DVH, and, a few weeks later, Laurapalooza, focusing on the work of Laura Ingalls Wilder. I hang out with women in Merry Widow hats, so wide they used to get caught in train doors, and in sunbonnets like the ones that Laura hated. These conferences strip away academic jargon and ironic distance in favor of an immersive experience that imitates the all-consuming absorption in books of many of our childhoods.Continue Reading