An incomplete list of the animals that appear in Arthur Bradford’s latest collection Turtleface and Beyond include a dead cat, a porcupine that menaces a recluse’s outhouse, a dog liberated from the pound, and the eponymous turtle, of face fame. Besides Turtleface, which came out in February, Bradford is the author of the very funny short story collection, Dogwalker. We emailed recently about Denis Johnson, loser lit, and keeping it reigned in.
I’m sure you get this one a lot, but I see some Denis Johnson in this collection. The main character being named Georgie of course recalls Jesus’ Son, as does the story “Orderly” about, well, an orderly.
But I’m thinking more of the deadpan quality of this exchange from “Emergency”:
“Georgie’s in O.R.,” Nurse said.
“No,” Nurse said. “Still.”
“Still? Doing what?”
“Cleaning the floor.”
“No,” Nurse said again. “Still.”
That’s pretty perfect&mdashed;some of the best dialogue in fiction writing, I think. The dialogue in Turtleface and Beyond has a similar feel. In interviews you’ve described Johnson as a hero of yours. Could you talk a little bit about how his writing has contributed to shaping your own?
Yes, Denis Johnson has been a big influence on me. When I first read Jesus’ Son, back in the 90’s when it came out, I had that same feeling I sometimes experience upon hearing a new song or seeing new film that touches on the current culture in a fresh and exciting way. It was so original and cool. It made me want to to try to do something like that myself. I admire the simplicity, humor, and grace of those stories. Later on, while I was an MFA student at University of Texas, Denis Johnson showed up to teach a fiction workshop. It was a total coincidence. I would’ve traveled anywhere for the opportunity to take a class with him, and here he was becoming a writer in residence at the school I was already at. He is a very inspiring and generous person. He didn’t seem to put much stock in the notion that writing can be taught, which is a funny position for a writing teacher to take, but I understood what he meant. Denis drove around Austin in this giant red Cadillac convertible that he tried to sell to me when the term ended. He said he though I could pull off owning a car like that. I wasn’t so sure, but I liked that he thought I could. Or maybe that was just a line he used to try to unload it. I didn’t buy that car, though sometimes I wish I did. Denis helped me get a job working on the film adaptation of Jesus’ Son. If you watch the credit roll my name is the last one to go by.Continue Reading