While the characters of Laila Lalami’s newest novel confront and sometimes overcome the discomfort caused by their differences, Lalami presents one final troubling question for her readers: what markers of violence have our willingly blind eyes allowed to fester?
Lucette Lagnado’s 2007 memoir is a testament to the difficulties that are so inherent to the immigration process that even a family of people who are educated, upper-class, and well-off experience them.
While Olivia Laing’s 2011 book is a remarkable piece of nature writing, it is, at its core, a book about a heart mending itself and the unwieldiness of memory.
From childhood, the Brontë siblings held each other’s intellects in high esteem and together made a web—a story-catcher—out of their own disparate interests, their ideas acting as warp and woof, their mutual love and respect a catalyst for their later works.
The garden is a riot. Tiger lilies stifling the mailbox, butterflies on pink milkweed blooms, pansies in baskets. Standing on the front porch drenched in this splendor, I welcome the celebration and fear the powerful spirits that bring such life. What is most alive is also very close to
Ogawa could have written a political thriller but opts instead for a closer look at communities under siege by the very political forces that should be protecting them.
Reading W.M. Akers’ debut novel is a magnificent experience, but it is uncomfortable, to say the least—the world it depicts, a 1921 version of Manhattan, is not so unfamiliar after all. As fantasy novels often do, the book offers a disturbing allegory for our times.
Gabino Iglesias’s recent novel revolves around multiple characters journeying through la frontera, the border between the United States/Mexico. In each of the characters’ stories, however, there are multiple journeys being made, multiple borders being crossed, and as their stories progress, what they're striving for is less and less clear.
What is to be made of the myriad tales collected in this anthology, some of them connected by geographical proximity and nothing more? Part of the effect is to render the familiar unfamiliar.
The language Curtis Sittenfeld, Olga Tokarczuk, and Catherine Lacey use to describe millennial technology is varied and complex, but reading their works we have the sense that we’ve made something big, rapidly evolving, and somewhat out of our control.