These three presses dropped their very first chapbook this calendar year: Barrelhouse, known for its literary journal; Third Man Books, Jack White’s Third Man Records’ publishing outlet; and Sutra Press, a brand new micro-press out of Clarksville, Arkansas.
How might the practice of scansion as a tool toward understanding and crafting poetry become more equitable and expansive so as to allow for poets’ and readers’ different fundamental orientations toward language?
Marian Crotty’s superb short story collection, What Counts as Love, won the 2017 John Simmons Short Fiction Award, judged by Andre Dubus III.
Muhammad’s criticism is far-reaching, pulling together literature, politics, and religion in a quest to reckon with the black experience in modern America.
This week, I reread Alexandra Kleeman’s short story “Choking Victim”. I had first read it when it was published in The New Yorker in May 2016, when I was spending most of my days at home with a mysterious newborn.
I round a dark alcove in the Reykjavík Art Museum to find twenty or so people gathered in a space the size of a hip basement venue. Before them is a screen on which The National plays.
Writer and literary critic Sergio Pitol makes the claim that “[w]orks of art express . . . the best energy humans are capable of producing.” For Flannery O’Connor, literature is a particular human achievement.
Hardy humanizes his heroines' ambitions, the intensity of their feelings, their fancies and passions. In both Bathsheba Everdene and Tess Durbeyfield, Hardy writes intelligent women who work hard and write their own rulebooks.
From writers with "genius grants" to a new biography of Joni Mitchell, we've collected the latest literary news.
The point is to understand that what constitutes “literary” versus “genre” fiction—an age-old topic of study and debate within literary circles—is fundamental, not ancillary, to scientific findings on the effects of reading novels.