In his remarkable debut novel High as the Horses’ Bridles, Scott Cheshire tackles the loaded subject of faith and religious fanaticism in America with the same élan, sophistication, and depth found in HBO’s neo-noir series True Detective. I had the pleasure of asking Cheshire about the parallels between his novel and the hit show. Read on to see how these two masterpieces collide, intertwine, and ultimately shed light on each other.
Q. Your narrator Josiah Laudermilk and Detective Rustin Cohle share a peculiar kinship. Both men dream dreams and have visions. Both are storytellers and armchair philosophers. Both are skeptics when it comes to faith and religion. And both–one a homicide detective and the other a former preacher–are looking for the missing pieces that will make their narratives whole. What do you think these two might talk about, were they to meet?
Scott: You know, I think they’d get along. Although I think while Josie would really enjoy Cohle’s company, Cohle might find Josie a bit unstable. Imagine that! Cohle calling somebody unstable. But I mean not as stable with regard to a particular world perspective (I’m not talking about booze or substance abuse, here, or Cohle’s instinct for violence). Cohle’s take on the world is actually quite stable, even dogmatic, at times, which is one of things I like most about him. He knows who he is.
In fact, he thinks he knows who you are, too. He’s like Nietzsche crossed with “Bud” White (played by Russell Crowe in the film version of James Ellroy’s L.A. Confidential). God is dead and he’s going to find the motherfuc*er who killed him. Josie, on the other hand, knows very little. He’s lost. He’s trying embrace and divorce himself from his own past at the very same time. Which is exactly what Cohle’s trying to do, come to think of it. Maybe they’d talk about that. They would try and be “present” together, and talk. Drunkenly.