One of my favorite little known facts about Supreme Court Justice Ruth Bader Ginsburg is that she was a student in Vladimir Nabokov’s European Literature class at Cornell when she was an undergraduate in the 1950s. Nabokov’s influence is seen in many of Ginsburg’s writings.
Joan Didion’s unique worldview—that laser-sharp analysis of everything from the California coastline to Doors frontman Jim Morrison to her own personal grief and loss—might have been formed the day she failed to make Phi Beta Kappa at the University of California at Berkeley.
In Murder on the Orient Express we are told that in the dead of winter nobody travels from Istanbul to Calais on the Orient Express. So, what better time to plot the elaborate murder of a supremely evil American businessman known to be traveling on that train.
The need to figure out why we are who we are is what drew me to Elissa Altman’s memoir Treyf, a bittersweet and touching memoir of the author’s growing up years in 1970s New York City and Queens.
It's my opinion that Nora Ephron never should have left journalism. Sure there was a lot more money to be made writing and directing major motion pictures like When Harry Met Sally or Sleepless in Seattle, but Ephron had a gift for magazine writing.
The more I read about Paris, and whenever I am lucky enough to travel there, I want to know what Paris is really like, not just what I want it to be like. You don’t have to sugar coat it for me.
Crispin traveled to Europe chasing literary ghosts and looking for answers. The resulting memoir and travelogue takes on the twin themes of trying to understand the lives of others while hoping to make sense of her own confusing history.
Under the Sea-Wind takes readers to the ocean and illustrates through the power of words and a few elegant line drawings a fascinating and complex world most of us never stop to consider.
Here in America our expectations are grand. School followed by college, followed by a good job, a good marriage, a nice house in a good neighborhood where we’ll raise some good children who will have even more good things than we have. It’s the American Dream.
The brilliance of Neuromancer and what won it every literary award available—the Nebula, the Philip K. Dick and the Hugo—is its breakneck storytelling, which combines high technology, a classic tale of corporate greed, war, revenge, and politics with some dazzling writing.