“Cow Country” And The Problem With Pseudonyms
A recent post on the Harper’s blog has gotten me thinking about pseudonyms. In it, Art Winslow posits that a new novel, Cow Country, from an obscure vanity press was actually authored by Thomas Pynchon under the pseudonym Adrian Jones Pearson. As evidence, Winslow points to certain aesthetic similarities
Upton Sinclair, the spirit of Sophocles, and me: a Visit to Lily Dale
In 1922, writer and spiritualism convert Upton Sinclair wrote, “You may go to Lily Dale … and in row after row of tents, you may hear and even see, every kind of spirit you ever dreamed of, ringing bells and shaking tambourines and dancing jigs. And you may
The Best Short Story I Read in a Lit Mag This Week: “Golden Land” by Sunisa Nardone
The ways in which we humans find our sense of community and identity—nationality, race, religion, class, family etc.—are often also what make connecting with people that don’t share our backgrounds more difficult. Sunisa Nardone’s “Golden Land” (Atlas and Alice) explores the many obstacles facing strangers struggling to connect while awaiting
So Long, Dear Writer
The poet C.K. Williams died this Sunday, September 20, 2015. For the last few months I’ve been enjoying a review copy of Farrar, Straus and Giroux’s beautiful new collection of Williams’ poems, the Selected Later Poems, but I’m finding that now, in light of Williams’ death, I can’t
“It’s A Bit Mysterious, and I Like That”: An Interview with Frank X. Gaspar
Frank X. Gaspar writes poems that are lyrical, powered by swift associations, and full of surprising images and leaps in thought that in retrospect make perfect sense. He is the author of five collections of poems, including Late Rapturous and The Holyoke, as well as two novels, most recently
Round-Down: On Women Writers And the Fallout from ‘Confession’ in the Digital Age
Social media is in the spotlight—or crosshairs, as it may be–in the literary landscape this week. Several articles and author interviews have touched upon both the benefits and the tremendous costs known to an author maintaining their online presence, none of them coming to a firm conclusion about whether it’s better to be
On Context & Omission: Alain de Botton, F. Scott Fitzgerald, John McPhee, and Claudia Rankine
Craft talks regarding omission lean heavily on Hemingway’s Iceberg Theory, what John McPhee recently called, “or, how to fashion critical theory from one of the world’s most venerable clichés.” Aside from the obvious trimming of superfluous language or gratuitous scenes, it could be argued that omission, in one extreme,
Letter to myself: On fatherhood and poems
A published letter is a strange act. It’s like a whisper made into a loudspeaker. It’s a secret note the town’s tacked onto the city hall bulletin board after the carrier pigeon nosedived into the public square. It’s intimacy externalized. Some letters seem to speak to no one at
Review: Circus Maximus by Andrew Zimbalist
Circus Maximus: The Economic Gamble Behind Hosting the Olympics and the World Cup Andrew Zimbalist Brookings Institution Press, 2015 175 pages Buy: book | ebook In a way, everything about Andrew Zimbalist’s Circus Maximus is great. The book is thoroughly researched, thoroughly argued—hard to find a hole in its logic. And
Review: LIFE IN A BOX IS A PRETTY LIFE by Dawn Lundy Martin
Life in a Box Is a Pretty Life Dawn Lundy Martin Nightboat Books, 2015 Poetry | $15.95 104 pages, 6 x 9 in Buy: Paperback Dawn Lundy Martin’s two previous collections, A Gathering of Matter / A Matter of Gathering (2007) and Discipline (2011), were remarkable both for the