Author Archive

Imagining the Anthropocene: The Floods of Derrick Austin’s Trouble the Water

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Derrick Austin’s Trouble the Water (BOA Editions, 2016) turns flooded ruins into relics devoted to floods, both physical and emotional. His debut collection of formally-driven, hermetic verse shapes physical and emotional overflows into precise devastation.

Imagining the Anthropocene: The Corporeal Poetics of Marianne Boruch’s Cadaver, Speak

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In her book Cadaver, Speak, Boruch engages in a corporeal self-study through figure drawing, art history, and medical anatomy. From inside her own “bonehouse,” Boruch builds a poetics of embodiment, suturing her firsthand observation to the cultural paradigms that have marked our language.

Imagining the Anthropocene: Danez Smith’s “summer, somewhere”

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Danez Smith’s second book of poems, Don’t Call Us Dead, takes up the project of rehumanizing black lives, reshaping lament into forward-looking prophecy. The collection’s opening epic poem, “summer, somewhere,” acts as a book of re-creation, turning premature mortality into a revived, embodied love drawn from the earth itself.

Imagining the Anthropocene: Cathy Park Hong’s Engine Empire

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In the nineteenth century, Manifest Destiny cast pillage as a moral imperative. Its rallying cry re-ignited the American founding’s genocide and environmental destruction to fuel westward expansion. Cathy Park Hong’s sonorous triptych Engine Empire reshapes the Western’s tropes into a chilling interrogation of digitally facilitated detachment.

Imagining the Anthropocene: Evoking an Ecological Occult

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Human society is built on superficial impositions of order: government, religion, science, and language attempt to enervate chaos. But for Jane Mead, a poet entrusted with her family’s California vineyard in the midst of a historic drought, there’s no hiding from earth’s mists and windstorms.

Imagining the Anthropocene: The Dissolving, Consuming Selves of Jane Wong’s Overpour

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Landscape sculptor Andy Goldsworthy has said, “The field is a beautiful forum for the fight for nourishment.” Jane Wong brings that forum to the page.

Imagining the Anthropocene: What We Belong To and the Appeal of First-Person Plural

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Symbolic as my singular action was, it was optimism in practice, opting for the choice to join a collective demonstration of resistance. These days, I’m far more likely to feel that “we” have ruined things than that “we” can affect the world to come.

Imagining the Anthropocene: Lorine Niedecker’s “Lake Superior”

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Lorine Niedecker’s poem “Lake Superior” cracks open the human history of its eponymous source. Its thirteen fragments splice together geologic details, explorers’ diaries, and firsthand observations to trace white settlers’ incursions into “America’s / Northwest.”

Imagining the Anthropocene: Tommy Pico’s Nature Poem

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Language retains the rhetorical barrier between the wild and the civilized, the false dichotomy upon which humans have built cities and established nations. It’s within this partition that poetic genres like the Romantic lyric and the pastoral took root, ensconcing the obfuscations that Tommy Pico rails against.

Imagining the Anthropocene: Aracelis Girmay’s The Black Maria

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The Black Maria, Aracelis Girmay’s intricate epic of black survival, enraptures the reader in a gaze that looks simultaneously backward and forward, toward past and future that are impossible to see yet crucial to imagine.