Last week, Elon Musk shared SpaceX’s vision to put humans on Mars and eventually start a colony. Colonizing Mars is an appealing idea, especially among those, such as Stephen Hawking, who believe our future as a species relies on our ability to become interplanetary. In science fiction, off-Earth
Lately, I've been particularly intrigued by the work of Jordan Kantor. His work has prompted me to revisit how I have been formulating the Venn diagram of poetry and painting. Kantor is an artist who gets many things right.
The writers discussed the many ways in which fiction can respond to fiction. Of particular note was the impetus for using a particular source text—what inspired the response—and the extent to which a retelling can or should stand on its own without an intimate knowledge of the original.
Paul Ruffin had me at the title. It wasn’t the spectacle of the hog-killing I was drawn to so much as the way he undercuts the brutality to focus our attention on the weather. I liked the juxtaposition, the audacity of deflecting our attention from the sensational to the
Though it asks the questions, Here I Am is not here to answer inquiries, eschewing easy answers or clean endings. It may not be a manual for life, but it is a way of locating oneself in the world.
In an earlier post, I wrote about how food writers grapple with the challenge of describing taste and smell. There are many more aspects to the language used to describe food. Stanford University linguist Dan Jurafsky has written a fascinating study, The Language of Food: A Linguist Reads the
I talk to Nathaniel Mackey and musician Suzi Analogue about how to, in Amiri Baraka's words, find the self, then kill it—and about the role of technology in that process.
Lawrence Durrell's life-long relationship with Greece began early. Like Patrick Leigh Fermor, he too was the product of British colonialism, having been born in Jalandar, a case that may be more common than is often realized in thinking about Britain's involvement in India.
Twitter is maybe one of the most ideal places to watch a draft shape itself into a finished essay—a public place for us to learn the bones.
A life of reading often produces the waking sensation that you have seen a ghost. The spectrum of your experiences multiply, your emotional range balloons, you experience déjà vu by virtue of the lives you’ve lived, shared, or been privy to on the page.