Hampl has been writing at the intersection of memoir and essay for most of her life. Now, displaying a heightened partnership of experience and reflection, she revisits people and events with insight produced by leisure and the ostensibly wasted day.
The Recovering isn’t Jamison’s attempt to revive her narrative instincts, which she fears sobriety has flatlined. Instead, it is an embrace of the hard-learned revised instincts Jamison has developed because of recovery.
Social Theory after the Internet cuts across various disciplines and through different media systems to propose a new theory for the internet’s role in social life.
Lee is clearly wary of the limits of language. Perhaps this is why his language in this collection is so syncretic, so wildly alive and allusive with references to anime, science fiction, the Hebrew Bible, Gnosticism, Shakespeare, and hip hop.
Feel Free is an excellent place to find one of the best contemporary writers writing at her best.
A Gift from Darkness: How I Escaped with my Daughter from Boko Haram is a powerful and moving tale of female resilience. Patience Ibrahim, who was kidnapped by Boko Haram twice, tells her survival tale to Andrea C. Hoffman, journalist and author of The Girl Who Beat ISIS.
We might consider that, in twenty-first century America, we continue to live in the shadows of King Philip’s War. Both DeLucia and Brooks have given us important new frameworks through which to explore the wider nature of those shadows.
Through folk meet-ups and underground websites, Amazon seasonal packing facilities and middle American ghost towns, Bruder’s book peers into the heart of the modern American housing crisis and lifts the curtain on the forgotten multitudes hiding in plain sight.
Tale of Two Americas: Stories of Inequality in a Divided Nation Edited by John Freeman Penguin; Sept 2017 252 pp; $17 Buy: paperback | eBook Reviewed by Anne Kniggendorf In his collection of 36 essays, poems, and stories entitled Tales of Two Americas: Stories of Inequality in a Divided
Roxane Gay is America’s favorite "bad feminist." She is often read as a black feminist, but her Haitian roots rarely get more than a passing mention. And yet, Haiti is the unseen backdrop to Gay’s memoir Hunger: a fierce, black, female, fat narrative.